＜p＞CaNDOM categor?a A es un compilado de canciones del g?nero del rap hip Hop con estilo urbano en esta entrega se presenta los primeros cuatro trabajos de CaNDOM en un tomo disponible en digital f?sico y audiolibro＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Ana M. L?pez is one of the foremost film and media scholars in the world. Her work has addressed Latin American filmmaking in every historical period, across countries and genresーfrom early cinema to the present; from Brazil, Cuba, and Mexico to diasporic and Latinx cinemas in the United States; from documentary to melodrama to politically militant film. L?pez's groundbreaking essays have transformed Latin American film studies, opening up new approaches, theoretical frameworks, and lines of investigation while also extending beyond cinema to analyze its connections with television, radio, and broader cultural phenomena. Bringing together twenty-five essays from throughout her career, including three that have been translated into English for this volume, ＜em＞Ana M. L?pez＜/em＞ is divided into three sections: the transnational turn in Latin American film studies; analysis of genre and modes; and debates surrounding race, ethnicity, and gender. Expertly curated and edited by Laura Podalsky and Dolores Tierney, the volume includes introductory material throughout to map and situate L?pez's key interventions and to aid students and scholars less familiar with her work.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Barcelona, City of Comics＜/em＞ introduces readers of English to a range of Spanish- and Catalan-language comics published after the death of dictator Francisco Franco in 1975. During this time of palpable social change, the Catalonian capital regained its reputation as the hub of comics publishing in Spain. Comics collectives such as El Rrollo and Butifarra, as well as individual artists from Montse Clav? to Mariscal, contributed to a thriving comics subculture that drew from and pushed beyond the countercultural comics tradition in the United States. As the Sal?n Internacional del C?mic de Barcelona (1981?) drew greater attention to the city, comics magazines teemed with graphic depictions of urban scenes. On the comics page, themes of architecture and city life were employed as social critique, while the city of Barcelona itself increasingly solidified its reputation on the global stage through urban planning. With a foreword by Pere Joan, ＜em＞Barcelona, City of Comics＜/em＞ delves into the relationship between comics and urbanism in one of Europe's most notable global cities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞George Toles's ＜em＞Curtains of Light＜/em＞ explores the ways in which various kinds of theatrical space in film engage with the film reality adjacent to them, and alter our understanding of the cinematic real. Film art is a dialogue between the world created for a film narrative and theatre spaces that confront it across the shadowline. This book provides a new way of thinking about film's relation to theatre, and challenges old conceptions of how cinema needs to escape the theatrical, or rise above it. Toles offers elegantly written and jargon-free readings of a rich variety of films, spanning the distance from D.W. Griffith's ＜em＞True Heart Susie＜/em＞ up to David Lynch's ＜em＞Mulholland Dr.＜/em＞ and Ang Lee's ＜em＞Lust, Caution＜/em＞. The methodology is predominantly aesthetic, but informed by Toles's decades of experience as a professional theatre director. Among the many topics covered are audition scenes, stage deaths on film, the close up and theatrical aloneness in film, eloquent objects, and characters who alternate between directing and playacting for each other, with tragic consequences. ＜em＞Curtains of Light＜/em＞ would be an extremely useful introductory text for university students studying the relationship of cinema to theatre.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Cub Reporters＜/em＞ considers the intersections between children's literature and journalism in the United States during the period between the Civil War and World War I. American children's literature of this time, including works from such writers as L. Frank Baum, Horatio Alger Jr., and Richard Harding Davis, as well as unique journalistic examples including the children's page of the ＜em＞Chicago Defender＜/em＞, subverts the idea of news. In these works, journalism is not a reporting of fact, but a reporting of artifice, or human-made apparatusーartistic, technological, psychological, cultural, or otherwise. Using a methodology that combines approaches from literary analysis, historicism, cultural studies, media studies, and childhood studies, Paige Gray shows how the cub reporters of children's literature report the truth of artifice and relish it. They signal an embrace of artifice as a means to access individual agency, and in doing so, both child and adult readers are encouraged to deconstruct and create the world anew.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Growing up a stone's throw away from New York City in a small house on suburban Long Island, Richard Olsen-Harbich always dreamed of being a farmer. After graduating from Cornell with a degree in viticulture, he found himself back on the Island at the heart of an emerging wine region that was struggling to find itself. Starting from the ground up with little information or experience, Olsen-Harbich began a lifelong quest to master the art and science of growing wine grapes less than 90 miles from Manhattan.＜/p＞ ＜p＞In the last half-century, the North Fork's bucolic seaside towns and humble potato farms were transformed into one of this country's most compelling agricultural success stories, garnering praise from wine critics around the world. Olsen-Harbich charts the meteoric rise of North Fork winemaking from the historic failures of colonial times to the modern triumph of becoming one of the most important wine-producing districts on the East Coast. Through a poetic interweaving of personal anecdotes with scientific reporting about climate, soils, geology, and botany, Olsen-Harbich drills deep into the topic, giving the world a new language for talking about wine. In doing so, he redefines what it means to make wine in the New World.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Combining literature, social history, and personal experience, author Robert J. Campbell traces the birth, downfall, and legacy of the innovative, playful, and spontaneous counterculture launched in 1960s Haight-Ashbury. In a lively writing style, Campbell describes the discovery of LSD, its slow adoption, and the promotion of it by Timothy Leary and Ken Kesey, who each became missionaries for the drug. Campbell relates how LSD allowed users to enhance the perception of alternative realities and describes its wide-scale use in the Haight-Ashbury District of San Francisco from 1964 to 1967 that led to imaginative and creative change, including collaborative behavior, a new way of looking at the world, acid rock, and a host of other paradigm shifts. ＜em＞Haight-Ashbury, Psychedelics, and the Birth of Acid Rock＜/em＞ concludes by examining the inherent dangers of constant drug use as well as the positive legacy of the 1960s, including a focus on health food, cooperative living arrangements, recycling, battling climate change, free medical help, and personal responsibility. The book incorporates ideas from a broad range of disciplines for general readers for a unique and fresh look at this impactful era.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Tommy*, Trauma, and Postwar Youth Culture* traces the development of one of rock music's central masterpieces and its relation to the social-cultural history of the era. Composer and guitarist Pete Townshend was the creative force behind the Who, one of Britain's greatest rock bands. Townshend grew up in an England decimated by the loss of life and hope that was the initial legacy of World War II. The product of a troubled childhood, Townshend faced ongoing struggles with sexual and personal trauma that colored his later work as a performer. An ambitious composer who wanted to create both pop hits and lasting personal works, Townshend achieved his greatest success with the Who through their 1969 rock opera, ＜em＞Tommy＜/em＞. Townshend gave many accounts of the work's evolution and its significance to him and he participated in and encouraged its continued legacy. Dewar MacLeod recounts his own interactions with Townshend and ＜em＞Tommy＜/em＞ to draw out the work's impact, its critical reception, its place both in postwar history and the rock era, and its continuing relevance. This book will appeal to all interested in the history of rock, the creative process, and the long shadow of the 1960s.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Merleau-Ponty's phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly C?zanne, Klee, Matisse, and Rodin. ＜em＞Merleau-Ponty at the Gallery＜/em＞ expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work came to prominence in the second half of the twentieth century and thus primarily after the philosopher's death. V?ronique M. F?ti does not confine her analyses to Merleau-Ponty's texts (which now importantly include his late lecture courses), but also engages directly with the art. Of particular concern to her is the art's ethical bearing, especially as related to animal and vegetal life. The book's concluding chapter addresses the still-widespread rejection of beauty as an aesthetic value.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The first book of its kind, ＜em＞Doubly Erased＜/em＞ is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being ＜em＞doubly erased＜/em＞ーroutinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's ＜em＞Bastard Out of Carolina＜/em＞ and Alison Bechdel's ＜em＞Fun Home＜/em＞ are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, ＜em＞Doubly Erased＜/em＞ also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Reluctant Sleuths, True Detectives＜/em＞ examines the detective figure in four noir and neo-noir films: ＜em＞Out of the Past＜/em＞ (1947), ＜em＞Notorious＜/em＞ (1946), ＜em＞Vertigo＜/em＞ (1958), and ＜em＞Chinatown＜/em＞ (1974). Exploring the way that these characters each move from an initial state of reluctant passivity to one of passionate engagement with the world around them, it questions the cinematic forces required to motivate and move them. In its close examinations of each film, the book meditates on the detectives' hunts and how they interact with the cinematic apparatus that captures and presents them to an audience, and it tracks the receptive experience of these films in relation to these questions of motivation and movement.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Suburb films began as a cycle in response to both America's changing urban geography and the re-segregation of its domestic spaces in the postwar era, which excluded African Americans, Asian Americans, and Latinx from the suburbs while buttressing whiteness. By defying traditional categories and chronologies in cinema studies, the contributors explore the myriad ways suburban spaces and racialized bodies in film mediate each other. ＜em＞Race and the Suburbs in American Film＜/em＞ is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Crossing Borders and Confounding Identity＜/em＞ advances our understanding of the diversity of Chinese women's experiences and achievements, from the Han Dynasty to the present. With a particular emphasis on literature and the arts, the chapters offer insights into the work of current Chinese women artists as well as literary, historical, and cultural portrayals of women and women's issues. Taken together, they provide new perspectives on Chinese women, their lived experiences and fictional representations, across a broad spectrum of literature, theater, film, and the visual arts. Accessible to nonspecialists and general readers, this book will also be a valuable resource for faculty who teach Asian studies courses in history and in the humanities, as well as for students in interdisciplinary Asian studies courses.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Capit?n Latinoam?rica＜/em＞ is the first study to examine the unique contribution of Latin American cinema, television, and web series to the global superhero boom. Through an analysis of superhero-themed media from Mexico to Argentina, Vinodh Venkatesh argues that contemporary Latin American superheroes are a hybrid of regional tropes and figures such as the famed ＜em＞luchador＜/em＞, El Chapul?n Colorado, and North American blockbuster characters from the DC and Marvel universes. These superheroes channel anxieties specific to their respective national contexts. In Chile, for example, Mirageman rehashes and works through the Pinochet dictatorship and its traumatic aftermath; in Honduras, Chinche Man confronts neoliberalism and gang violence. In Colombia's ＜em＞El Man＜/em＞, in turn, rapid urbanization and drug cartels are the central concerns, whereas corruption and the political machinations of the state feature most prominently in the television and web series ＜em＞Capit?n Centroam?rica＜/em＞. While the Latin American superhero genre may be superficially characterized by low budgets and kitsch aesthetics, it also poses profound challenges to the social, political, and economic status quo. Covering a wide variety of media bookended by wrestling films from the early 1960s and multimedia productions from the 2010s, ＜em＞Capit?n Latinoam?rica＜/em＞ offers a comprehensive introduction to, and assessment of, the state of the superhero in Latin America.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Because of its automatic way of recording reality, film has a privileged relation to the problem of skepticism. If early film theorists celebrate cinema for overcoming skeptical doubt about the power of human vision, recent film-philosophers argue that our postphotographic, digital cinema is heading toward a general acceptance of skepticism, as though nothing on screen has anything to do with reality any longer. Emerging from the interaction of Stanley Cavell's and Gilles Deleuze's film-philosophies, ＜em＞Cinematic Skepticism＜/em＞ challenges both these views. Jeroen Gerrits takes the issue of skepticism beyond concern with knowledge, turning skepticism into an ethical problem that pervades film history and theory. At the same time, he rethinks a Cavello-Deleuzian approach across the digital and global turns in cinema. Combining clear explanations of complex philosophical arguments with in-depth analyses of the contemporary films ＜em＞Grizzly Man＜/em＞, ＜em＞Am?lie＜/em＞, ＜em＞Three Monkeys＜/em＞, and ＜em＞The Headless Woman＜/em＞, Gerrits traces how cinema invents ways of dis/connecting to the world.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In ＜em＞Through a Nuclear Lens＜/em＞, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Winner of the 2021 Antoinette Forrester Downing Book Award presented by the Society of Architectural Historians＜/strong＞＜/p＞ ＜p＞＜strong＞Winner of the 2020 Excellence in Historic Preservation Award presented by the Preservation League of New York State＜/strong＞＜/p＞ ＜p＞Located about 150 miles north of Manhattan, on the east bank of the Hudson River, the city of Troy, New York, was once an industrial giant. It led the nation in iron production throughout much of the nineteenth century, and its factories turned out bells and cast-iron stoves that were sold the world over. Its population was both enterprising and civic-minded.＜/p＞ ＜p＞Along with Troy's economic success came the public, commercial, educational, residential, and religious buildings to prove it. Stores, banks, churches, firehouses, and schools, both modest and sophisticated, sprouted up in the latest architectural styles, creating a lively and fashionable downtown. Row houses and brownstones for the middle class and the wealthy rivaled those in Brooklyn and Manhattan.＜/p＞ ＜p＞By the mid-twentieth century, however, Troy had dwindled in both prominence and population. Downtown stagnated, leaving building facades and interiors untouched, often for decades. A late-blooming urban-renewal program demolished many blocks of buildings, but preservationists fought back. Today, reinvestment is accelerating, and Troy now boasts what the ＜em＞New York Times＜/em＞ has called "one of the most perfectly preserved nineteenth-century downtowns in the United States."＜/p＞ ＜p＞This book tells the stories behind the many handsome and significant buildings in downtown Troy and how they were designed and constructedーstories that have never been pulled together before. For the first time in generations, scores of Troy buildings are again linked with their architects, some local but others from out of town (the "starchitects" of their day) and even from Europe. In addition to numerous historic images, the book also includes contemporary photographs by local photographer Gary Gold. This book will inform, delight, and surprise readers, thereby helping to build an educated constituency for the preservation of an important American city.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680?1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two partsーbasic and advancedー which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In Haitian Creole, ＜em＞bay lodyans＜/em＞ means to tell stories to an audience, and more generally, to entertain. This book is the first to analyze popular contemporary Haitian films, looking especially at how they respond to the needs and desires of Haitian audiences in and beyond Haiti. Produced between 2000 and 2018 and largely shot with digital cameras and sometimes cellphones, these films focus on the complexities of community, nostalgia, belonging, identity, and the emotional landscapes of exile and diaspora. They reflect sociopolitical and cultural issues related to family, language, im/migration, religion, gender, sexuality, and economic hardship. Using storytelling and other less traditionally "academic" techniques, C?cile Accilien advances Haitian epistemological frameworks. ＜em＞Bay Lodyans＜/em＞ integrates terms and concepts from Haitian culture, such as ＜em＞jerans＜/em＞ and ＜em＞kafou＜/em＞ (derived from the French words for "to manage" and "crossroads," respectively) and includes interviews with Haitian filmmakers, actors, and scholars in order to challenge the dominance of Western theoretical approaches and perspectives.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Distancing Representations in Transgender Film＜/em＞ explores the representation of transgender identity in several important cinema genres: comedies, horror films, suspense thrillers, and dramas. In a critique that is both deeply personal and theoretically sophisticated, Lucy J. Miller examines how these representations are often narratively and visually constructed to prompt emotions of ridicule, fear, disgust, and sympathy from a cisgender audience. Created by and for cisgender people, these films do not accurately represent transgender people's experiences, and the emotions they inspire serve to distance cisgender audience members from the transgender people they encounter in their day-to-day lives. By helping to increase the distance between cisgender and transgender people, Miller argues, these films make it more difficult for cisgender people to understand the experiences of transgender people and for transgender people to fully participate in public life. The book concludes with suggestions for improving transgender representation in film.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In ＜em＞Material Insurgency＜/em＞, Andrew M. Rose examines emerging new materialist and posthuman conceptions of subjectivity and agency and explores their increasing significance for contemporary climate change environmentalism. Working at the intersection of material ecocriticism, posthuman theory, and environmental political theory, Rose critically focuses on the ways social movement organizing might effectively operate within the context of distributed agency. This concept undoes the privileging of rational human actors to suggest agency is better understood as a complex mixture of human and nonhuman forces. Rose explores various representations of distributed agency, from the pipeline politics of the Keystone XL campaign to the speculative literary fiction of Leslie Marmon Silko and Kim Stanley Robinson. Each of these cultural and literary texts provides a window into the possible constitution of a (distributed) environmental politics that does not yet exist and operates as a resource for envisioning environmental actors we cannot necessarily study empirically, because they are still only a prospect, or potential, of our imagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Jazz with a Beat＜/em＞ is the first book on the often overlooked but vitally important genre of small group swing jazz. Coming into being in the early 1940s, small group swing answered the need in the Black community for a form of jazz that was more accessible (and more danceable) than the new bebop. An adaptation of the big band Black swing (Erskine Hawkins, Jimmie Lunceford, Chick Webb) of the 1930s to small combos, and with a more vigorous beat for the new generation, this music developed and was beloved through the 1940s, continued to be enjoyed through the rock and roll years of the 1950s, and was a major influence on the soul jazz of the 1960s. Among the many hit artists portrayed in these pages are Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Nat "King" Cole, Red Prysock, Ruth Brown, Nellie Lutcher, Camille Howard, T-Bone Walker, and Ray Charles. Dismissed as "rhythm and blues," this music has been ignored by jazz historians. ＜em＞Jazz with a Beat＜/em＞ honors this music as a legitimate genre of jazz and is a stirring evocation of an era. It should be of interest to lovers of jazz and Americana.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Although Victorian novels often feature lengthy descriptions of the buildings where characters live, work, and pray, we may not always notice the stories these buildings tell. But when we do pay attention, we find these buildings offer more than evocative background settings. ＜em＞Victorian Structures＜/em＞ uses the architectural writings of Victorian critic John Ruskin as a framework for examining the interaction of physical, social, and narrative structures in ＜em＞Little Dorrit＜/em＞ by Charles Dickens, ＜em＞Adam Bede＜/em＞ by George Eliot, and ＜em＞The Mayor of Casterbridge＜/em＞ and ＜em＞Jude the Obscure＜/em＞ by Thomas Hardy. By closely reading their descriptions of architectural structure, this book reconsiders structure itselfーboth the social structures the novels reflect, and the narrative structures they employ. Weaving together analysis of these three kinds of structure offers an interpretation of Victorian realism that is far more socially and formally unstable than critics have tended to assume. It illustrates how these novels radically critique the limitations, dysfunctions, and deceptions of structure, while also imagining alternative possibilities.＜/p＞ ＜p＞This unique interdisciplinary approach emphasizes structure-in-time: while current conversations about structure focus on its static and fixed properties, this book understands it as various forces in tension, producing meanings that are always in flux. ＜em＞Victorian Structures＜/em＞ focuses not only on the way structures shape our perceptions and experiences, but also, more importantly, on the processes through which those structures come to be constructed in the first place, and how they change over time.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Winner of the 2022 Book Award for Performance and Visual Culture presented by the American Association of Teachers of Italian＜/strong＞＜/p＞ ＜p＞＜em＞Orienting Italy＜/em＞ explores contemporary Italian filmmakers' fascination with China and the Chinese in both documentary and fictional films. Delineating the contours of this fascination, the book begins with the works of Carlo Lizzani (＜em＞Behind the Great Wall＜/em＞, 1958) and Michelangelo Antonioni (＜em＞Chung KuoーChina＜/em＞, 1972), both of whom ventured to China with the aim of documenting new, yet physically and culturally distant, realities. Their documentary investigations yielded to fictional portrayals, from the lavish view of a historical Middle Kingdom by director Bernardo Bertolucci (＜em＞The Last Emperor＜/em＞, 1987) to the stark consideration of Italian economic exchange with contemporary China by Gianni Amelio (＜em＞The Missing Star＜/em＞, 2006). The wave of Chinese migration to Italy in the late twentieth century created a new sense of otherness within Italy as Chinese migrants became the subjects of fictional narratives and documentaries in the works of Stefano Incerti (＜em＞Gorbaciof＜/em＞, 2010) and Andrea Segre (＜em＞Shun Li and the Poet＜/em＞, 2011) and Riccardo Cremona and Vincenzo De Cecco (＜em＞Miss Little China＜/em＞, 2009). In the twenty-first century, a new chapter in the relationship between Italy and China has emerged in the form of transnational collaborations in the art and business of filmmaking.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The seventeen Christmas songs in this volume, arranged in comfortable keys, can be used for players at different levels and for all kinds of occasions. All three editions (Violin, Viola, and Cello) include two parts for either solo or duet performance and piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The online audio available for download provides the piano accompaniments alone. It can be used for back-up, improvisatory play-along, or for pleasant listening by itself.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Gold Winner for the 2022 ＜em＞Foreword＜/em＞ INDIES Book of the Year Award in the Performing Arts & Music Category＜/strong＞＜/p＞ ＜p＞"Sharkey is the natural artist, performing his magic for nothing but love." ー Wolcott Gibbs, the ＜em＞New Yorker＜/em＞＜/p＞ ＜p＞＜em＞Sharkey＜/em＞ tells the compelling story of an unusually gifted, trained sea lion who shared the stage with practically every important performer of the first half of the twentieth centuryーfrom Bob Hope to Ella Fitzgerald, from Broadway to Hollywood and beyond. Readers follow Sharkey and his flippered colleagues as they travel the world with stops at the Ringling Bros. and Barnum & Bailey Circus, vaudeville houses, Manhattan during the Harlem Renaissance, burlesque nightclubs, movie palaces, Radio City Music Hall, and the legendary studios of early radio, movies, and television, meeting a who's who of showbiz entertainers, sports superstars, and even a US president. Meticulously researched and lavishly illustrated, ＜em＞Sharkey＜/em＞ is a quirky slice of New York and entertainment history sure to delight fans of vintage pop culture and Americana, as well as animal lovers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Finalist for the 2023 ＜em＞Foreword＜/em＞ INDIES Book of the Year Award in the Regional category＜/strong＞＜/p＞ ＜p＞Amid the economic turmoil of the Great Depression, in 1929, Clarence Wemett, an upstate New York petroleum merchant, underwrote a craft shop bordering U.S. Route 20 and, a few years later, a different one 15 miles away. At precisely the wrong time for such things to happen, the improbable idea of selling discretionary goods targeted to a consumer market characterized by 25 percent unemployment at a rural highway's roadside achieved traction: the first shop was in business for a quarter century, the second for nearly 40 years. More significant than their surprising longevity is the shops' long-lasting contribution to a nascent, national movement that spans crafts personally created for individual use to the commercial work that sees craft elevated to a fine artーcraft objects moved from pantry shelves to museum vitrines and craftworkers from hobbyists to professionals. The roadside shops introduced a business model that, 70 years later, is widely experienced on a very different but equally "super" highway, the Internet, and their story is a chapter in the pre-history of the modern crafts movement.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞From 1946 to 1956, Dean Martin and Jerry Lewis provoked audiences into rollicking laughter as they shook up and delighted a culture they both mediated and made fun of. Using the duo's phenomenal popularity as a starting point, ＜em＞The Biggest Thing in Show Business＜/em＞ looks askance at postwar America with a fast-moving sweep, jam-packed with unexpected connections, revealing details, and surprising insights. Aiming to be as unconventional as their subjects, Murray Pomerance and Matthew Solomon enact a highly spontaneous and up-to-the-minute approach to coauthorship that re-establishes the importance of Martin & Lewis in the cultural pantheon. As a result, the book's structure, methodology, and writing style are thoroughly dialogic and firmly opposed to stale convention.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Blues on Stage＜/em＞ presents a new history of the development of the "Classic Blues" of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of music recording and publishing, including songwriting and touring theater circuits, is explored as part of the narrative of how and when these artists became nationally popular. The most highly regarded singers of this period were not folk or rural artists, but rather highly experienced stage professionals whose careers often extended two decades or more prior to their first recordings. These artists, some of the most famous acts on the Black vaudeville and tent show circuits, were preceded in the recording studio by many cabaret and nightclub singers with a different entertainment perspective and were followed by artists who came from a more rural, less professional background. For anyone interested in the roots of jazz and blues, ＜em＞Blues on Stage＜/em＞ offers a new and comprehensive introduction to the development of this American musical style.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞We live in a future-facing world, consumed by a sense of urgency. Responsibilities press upon us and, inevitably, the stories of where we live scatter down unnamed streets and recede into the past. ＜em＞Hundred-Mile Home＜/em＞ is an intimate portraitーa story mapーof Albany, Troy, and the Hudson River that slows time and challenges us to reconsider what we choose to remember and what we choose to forget about the places we call home.＜/p＞ ＜p＞Inspired by the story of New York's capital region, Susan Petrie uses poetry, prose, photos, and drawings to uncover a place of intense natural beauty, legendary people, and remarkable events. She follows the course of its fabled Hudson River from Troy to Olana and back again, turning down dirt roads, wandering into forgotten terrains, and discovering layers of natural and human history that have become invisible.＜/p＞ ＜p＞As a work of art, ＜em＞Hundred-Mile Home＜/em＞ moves between past and present. It revives a sense of wonder for what we speed past on our way to somewhere else, and reanimates the forgotten history and often-overlooked natural beauty of the mid-Hudson region. As a work of landscape and memory, it celebrates a place thatーdespite its instrumental role in the opening of Americaーhas yet to take hold in the national imagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞We live in a future-facing world, consumed by a sense of urgency. Responsibilities press upon us and, inevitably, the stories of where we live scatter down unnamed streets and recede into the past. ＜em＞Hundred-Mile Home＜/em＞ is an intimate portraitーa story mapーof Albany, Troy, and the Hudson River that slows time and challenges us to reconsider what we choose to remember and what we choose to forget about the places we call home.＜/p＞ ＜p＞Inspired by the story of New York's capital region, Susan Petrie uses poetry, prose, photos, and drawings to uncover a place of intense natural beauty, legendary people, and remarkable events. She follows the course of its fabled Hudson River from Troy to Olana and back again, turning down dirt roads, wandering into forgotten terrains, and discovering layers of natural and human history that have become invisible.＜/p＞ ＜p＞As a work of art, ＜em＞Hundred-Mile Home＜/em＞ moves between past and present. It revives a sense of wonder for what we speed past on our way to somewhere else, and reanimates the forgotten history and often-overlooked natural beauty of the mid-Hudson region. As a work of landscape and memory, it celebrates a place thatーdespite its instrumental role in the opening of Americaーhas yet to take hold in the national imagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。