＜p＞When Europeans first arrived in North America, between five and eight million indigenous people were already living there. But how did they come to be here? What were their agricultural, spiritual, and hunting practices? How did their societies evolve and what challenges do they face today? Eminent historians Theda Perdue and Michael Green begin by describing how nomadic bands of hunter-gatherers followed the bison and woolly mammoth over the Bering land mass between Asia and what is now Alaska between 25,000 and 15,000 years ago, settling throughout North America. They describe hunting practices among different tribes, how some made the gradual transition to more settled, agricultural ways of life, the role of kinship and cooperation in Native societies, their varied burial rites and spiritual practices, and many other features of Native American life. Throughout the book, Perdue and Green stress the great diversity of indigenous peoples in America, who spoke more than 400 different languages before the arrival of Europeans and whose ways of life varied according to the environments they settled in and adapted to so successfully. Most importantly, the authors stress how Native Americans have struggled to maintain their sovereignty--first with European powers and then with the United States--in order to retain their lands, govern themselves, support their people, and pursue practices that have made their lives meaningful. Going beyond the stereotypes that so often distort our views of Native Americans, this Very Short Introduction offers a historically accurate, deeply engaging, and often inspiring account of the wide array of Native peoples in America. ＜strong＞About the Series:＜/strong＞ Combining authority with wit, accessibility, and style, ＜strong＞Very Short Introductions＜/strong＞ offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This abridgement of ＜em＞The Oxford Companion to African American Literature＜/em＞ will make the entries of the greatest general interest available to a wider audience, providing the same calibre of scholarship and information as the original volume. The Concise collects more than 400 biographies (authors, critics, literary characters and historical figures) of both well-known figures and the lives and careers of writers not found in other reference works. The abridgement also includes the 150 plot summaries of major works. The editors briefly update the biographic details for author entries to include mention of major new works, death dates, and awards since the Companion's 1997 publication. A revised introduction, contributors list, subject index, cross-references, and updated bibliographical notes are also included. The volume reprints in its entirety the five-part fifteen page essay, "Literary History", capturing the full sweep of African American writing in the U.S. from the colonial and early national eras to the present day.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? ＜em＞A Geometry of Music＜/em＞ provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. ＜em＞A Geometry of Music＜/em＞ is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in ＜em＞The Compleat Conductor＜/em＞, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, ＜em＞The Compleat Conductor＜/em＞ throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding ＜em＞The Birth of a Nation＜/em＞ (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by ＜em＞Opera News＜/em＞, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (＜em＞New York Times＜/em＞), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (＜em＞Wall Street Journal＜/em＞). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. ＜em＞Anything Goes＜/em＞ stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Was the 2000 presidential campaign merely a contest between Pinocchio and Dumbo? And did Dumbo miraculously turn into Abraham Lincoln after the events of September 11? In fact, Kathleen Hall Jamieson and Paul Waldman argue in ＜em＞The Press Effect＜/em＞, these stereotypes, while containing some elements of the truth, represent the failure of the press and the citizenry to engage the most important part of our political process in a critical fashion. Jamieson and Waldman analyze both press coverage and public opinion, using the Annenberg 2000 survey, which interviewed more than 100,000 people, to examine one of the most interesting periods of modern presidential history, from the summer of 2000 through the aftermath of September 11th. How does the press fail us during presidential elections? Jamieson and Waldman show that when political campaigns side-step or refuse to engage the facts of the opposing side, the press often fails to step into the void with the information citizens require to make sense of the political give-and-take. They look at the stories through which we understand political events-examining a number of fabrications that deceived the public about consequential governmental activities-and explore the ways in which political leaders and reporters select the language through which we talk and think about politics, and the relationship between the rhetoric of campaigns and the reality of governance. ＜em＞The Press Effect＜/em＞ is, ultimately, a wide-ranging critique of the press's role in mediating between politicians and the citizens they are supposed to serve.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In ＜em＞Hollywood Left and Right＜/em＞, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics. Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--＜em＞Hollywood Left and Right＜/em＞ reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present. ＜em＞Hollywood Left and Right＜/em＞ challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this ＜em＞Very Short Introduction＜/em＞, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞As featured in AMC's＜/em＞ Breaking Bad*, given by Gale Boetticher to Walter White and discovered by Hank Schrader*. "I celebrate myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease....observing a spear of summer grass." So begins ＜em＞Leaves of Grass＜/em＞, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature. The publication of ＜em＞Leaves of Grass＜/em＞ in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book "the most extraordinary piece of wit and wisdom America has yet contributed." Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world. This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the "ur-text" of ＜em＞Leaves of Grass＜/em＞, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines. This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞For jazz historians, Louis Armstrong's Hot Five and Hot Seven recordings mark the first revolution in the history of a music riven by upheaval. Yet few traces of this revolution can be found in the historical record of the late 1920s, when the discs were made. Even black newspapers covered Armstrong as just one name among many, and descriptions of his playing, while laudatory, bear little resemblance to those of today. Through a careful analysis of seven seminal recordings in this compact and engaging book, author Brian Harker recaptures the perspective of Armstrong's original audience without abandoning that of today's listeners. The world of vaudeville and show business provide crucial context to his readings, revealing how the demands of making a living in a competitive environment catalyzed Armstrong's unique artistic gifts. Invoking a breadth of influences ranging from New Orleans clarinet style to Guy Lombardo, and from tap dancing to classical music, Louis Armstrong's Hot Five and Hot Seven Recordings offers bold insights, fresh anecdotes, and, ultimately, a new interpretation of Louis Armstrong and his most influential body of work.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Critics hailed previous editions of ＜em＞Visionary Film＜/em＞ as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞When the artist moves into the classroom or community to educate and inspire students and audience members, this is Teaching Artistry. It is a proven means for practicing professional musicians to create a successful career in music, providing not only necessary income but deep and lasting satisfaction through engaging people in learning experiences about the arts. Filled with practical advice on the most critical issues facing the music teaching artist today--from economic and time-management issues of being a musician and teacher to communicating effectively with students--＜em＞The Music Teaching Artist's Bible＜/em＞ uncovers the essentials that every musician needs in order to thrive in this role. Author Eric Booth offers both inspiration and how-to, step-by-step guidance in this truly comprehensive manual that music teaching artists will turn to again and again. The book also includes critical information on becoming a mentor, succeeding in school environments, partnering with other teaching artists, advocating for music and arts education, and teaching private lessons. ＜em＞The Music Teaching Artist's Bible＜/em＞ helps practicing and aspiring teaching artists gain the skills they need to build new audiences, improve the presence of music in schools, expand the possibilities of traditional and educational performances, and ultimately make their lives as an artists even more satisfying and fulfilling.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. ＜em＞The Necessity of Theater＜/em＞ analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. ＜em＞The Necessity of Theater＜/em＞ should appeal to anyone seriously interested or involved in theater or performance more broadly.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the `monster of Nature' on account of his creativity as a playwright. Claiming to have written more than a thousand plays, he created plots and characters notable for their energy, inventiveness and dramatic power, and which, in contrast to French classical drama, combine the serious and the comic in their desire to imitate life. Fuente Ovejuna, based on Spanish history, and revealing how tyranny leads to rebelliion, is perhaps his best-known play. The Knight from Olmedo is a moving dramatization of impetuous and youthful passion which ends in death. Punishment without Revenge, Lope's most powerful tragedy, centres on the illicit relationship of a young wife with her stepson and the revenge of a dishonoured husband. These three plays, grouped here in translations which are faithful to the original Spanish, vivid and intended for performance, embody the very best of Lope's dramatic art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles. Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Barber of Seville, The Marriage of Figaro and The Guilty Mother were the first plays to use a set of recurring characters who develop over time. They chronicle the slide of the ancien regime into revolution and Figaro was seen as a threat to the establishment. The impertinent, bustling servant was appropriated by Mozart and Rossini for their own purposes, and Beaumarchais became eighteenth-century France's only truly international theatre star. - ;The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien r--eacute--;gime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature.Beaumarchais[title should link to the catalogue entry][insert cover image 2804138] -＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Phaedra * Oedipus * Medea * Trojan Women * Hercules Furens * Thyestes Seneca's plays are the product of a sensational, frightening, and oppressive period of history. Tutor to the emperor Nero, Seneca lived through uncertain and violent times, and his dramas depict the extremes of human behaviour. Rape, suicide, child-killing, incestuous love, madness and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Passion is constantly set against reason, and passion wins out. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgement, and about how, if at all, a person can be good, calm, or happy in a corrupt society and under constant threat of death. Seneca was one of the most prolific, versatile, and influential of all classical Latin writers, and the only tragic playwright from ancient Rome whose work survives. This new edition of his six best plays captures Seneca's style in a verse translation that is both lively and accurate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The legend of Faust grew up in the sixteenth century, a time of transition between medieval and modern culture in Germany. Johann Wolfgang von Goethe (1749-1832) adopted the story of the wandering conjuror who accepts Mephistopheles's offer of a pact, selling his soul for the devil's greater knowledge; over a period of 60 years he produced one of the greatest dramatic and poetic masterpieces of European literature. David Luke's recent translation, specially commissioned for The World's Classics series, has all the virtues of previous classic translations of Faust, and none of their shortcomings. Cast in rhymed verse, following the original, it preserves the essence of Goethe's meaning without sacrifice to archaism or over-modern idiom. It is as near an `equivalent' rendering of the German as has been achieved. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Don Carlos and Mary Stuart, two of German literature's greatest dramas, deal with the timeless issues of power, freedom, and justice. Dating from 1787 and 1800 respectively, one play was written before the French Revolution, the other in its aftermath. Both dramatize periods of crisis in sixteenth-century Europe, and in doing so reflect Schiller's passionate engagement with the great themes of his own age - justice, power, freedom of conscience, legitimacy of government. A youthful work, Don Carlos shows the victory of the forces of reaction over the representatives of a new age. Mary Stuart shows the struggle of the Scottish queen in her last days of her life, not only for her freedom, but also for peace with her conscience, and that of her English rival, Elizabeth I, with the challenge of ruling justly. A vivid imaginative experience when read, these plays, with their starkly contrasting characters and thrilling confrontations, also demonstrate Schiller's brilliant stagecraft. These new translations into blank verse are accurate, elegant, and playable. The introduction, notes, and chronology set the plays in their cultural and intellectual background, while a family tree explains the historical relationship bewteen Don Carlos and Mary Stuart. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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＜p＞Del legendario productor musical, un maestro en el arte de ayudar a los dem?s a conectar con las fuentes de su propia creatividad, llega un libro maravillosamente fraguado a lo largo de muchos a?os con una visi?n profunda de la creatividad y de la vida dirigida todo el mundo. ≪Me propuse a m? mismo escribir un libro acerca de c?mo crear una gran obra de arte. En lugar de eso, se revel? como un libro acerca de c?mo Ser.≫ Los grandes productores musicales suelen ser reconocidos por un sonido ?nico que solo ellos son capaces de lograr. Rick Rubin es conocido por eso y por algo m?s: por saber crear un espacio en el que artistas de diferentes g?neros y tradiciones se reencuentran con su identidad profunda y con aquello que realmente tienen que ofrecer al mundo. Rubin ha convertido en una pr?ctica su impulso de ayudar a las personas para que trasciendan expectativas autoimpuestas y reconecten con un estado de inocencia en el que lo sorprendente se convierte en inevitable. A lo largo de los a?os, Rubin ha pensado mucho en el origen de la creatividad: de d?nde viene y de d?nde no, y ha aprendido que ser artista no depende tanto de un resultado en concreto, sino de c?mo nos relacionamos con el mundo. La creatividad tiene un lugar en la vida de todas las personas y todos podemos hacer ese espacio m?s grande. De hecho, hay pocas responsabilidades humanas que sean m?s importantes que esa. El acto de crear es un curso bello y generoso que ilumina el camino del artista como una ruta que todos podemos seguir. Este libro destila la sabidur?a recogida durante el trabajo de toda una vida y la convierte en una luminosa experiencia de lectura que tiene el poder de crear momentos ーy vidasー de gozo y trascendencia al alcance de todo el mundo. ≪Una hermosa reflexi?n sobre el proceso creativo. Guia a los lectores a trav?s de "78 ?reas de pensamiento", Rubin comparte su visi?n de la creatividad, que a su vez refleja su forma de ver el mundo. El libro hace un trabajo extraordinario al explicar estas ideas profundas y filos?ficas de una manera f?cil de entender≫, Complex ≪Una obra de literatura trascendente, que sugiere que el universo a?n nos sonr?e a pesar de que los indicios nos digan todo lo contrario.≫, The Wall Street Journal ≪El legendario productor de artistas como Adele, Black Sabbath, Johnny Cash o Jay-Z, destila los conocimientos de una carrera brillante y nos revela c?mo sacar lo mejor de nosotros.≫, Financial Times ≪Una condensaci?n de la sabidur?a que Rubin ha acumulado durante d?cadas llevando discos a buen puerto... para creativos que necesitan un est?mulo.≫, The Guardian ≪Una indagaci?n existencial sobre la naturaleza de la creatividad, el arte y el hecho de formar parte de la raza humana... una mirada profunda al m?s fundamental de los impulsos humanos.≫, Big Issue ≪Rick Rubin es la definici?n de un genio creativo y ha reunido su sabidur?a en un libro que es posiblemente el m?s inspirador sobre creatividad que he le?do nunca. El acto de crear est? a la altura de P?jaro a p?jaro: algunas instrucciones para escribir y para la vida, de Anne Lamott, y Mientras escribo, de Stephen King. . . Los consejos que contiene son brillantes. Este libro es un regalo del cielo para aquellos que quieran sentir nueva vida y confianza en sus huesos creativos.≫, Matt Haig ≪Un interrogatorio al proceso creativo magn?fico, delicioso y tremendamente pr?ctico. Rubin, un maestro de su oficio, ofrece una rica perspectiva, consejos sensatos, sugerencias ?tiles y un consuelo supremo a cualquiera que viva para crear o que se esfuerce por vivir de forma creativa.≫, J. J. Abrams ≪Estoy leyendo el libro de Rick y realmente me encanta. Quiero que lo lean mis hijos, quiero que lo lea todo el mundo. Es un manual para la creatividad y el pensamiento creativo. Un libro de referencia por ahora y que seguir? siendo ?til en el futuro.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞TODOS PODEMOS SER CREATIVOS:＜/strong＞＜br /＞ ＜strong＞Ap?ntate al Gimnasio de Ideas de Javirroyo, autor de ＜em＞Homo machus＜/em＞, ganador del Premio Gr?ffica y embajador espa?ol de Positively Men en la Unesco.＜/strong＞＜/p＞ ＜p＞＜strong＞≪Por fin un libro creativo sobre la creatividad≫.＜/strong＞＜br /＞ ＜strong＞Mariano＜/strong＞ ＜strong＞Sigman＜/strong＞＜/p＞ ＜p＞Todas las personas somos creativas, pero es algo que debemos entrenar, como un deporte. Javirroyo nos invita a ejercitar el cerebro y a aprender a pensar y a escribir a trav?s del dibujo y los esquemas en su Gimnasio de Ideas, donde te motivar?s a saco, perder?s el miedo a la p?gina en blanco, conectar?s churras con merinas, saldr?s de tu zona de confort, empatizar?s a trav?s del humor, lograr?s simplificar lo complejo y, en definitiva, podr?s vivir una vida llena de creatividad y sin restricciones.＜/p＞ ＜p＞De la mano de un cerebr?n en baja forma y que, como t?, necesita un poco de ayuda, descubrir?s retos, ejercicios, actividades, consejos y t?cnicas para sacar la imaginaci?n que llevas dentro y aplicarla a todos los ?mbitos de tu d?a a d?a.＜/p＞ ＜p＞＜strong＞Advertencia: ?No necesitas saber dibujar!＜/strong＞＜/p＞ ＜p＞＜strong＞Rese?as:＜/strong＞＜br /＞ ≪Javirroyo le quita ese halo de misterio a la creaci?n de ideas originales y sorprendentes y nos muestra que la creatividad est? al alcance de todos. El libro es especialmente revelador para los que, como yo, pensamos que somos incapaces de dibujar, porque demuele este mito con ejercicios ーque parecen juegosー y as? nos abre (nos regala, m?s bien) un mundo de papel y l?piz que hace de br?jula para navegar en el espacio de ideas. Un viaje a la g?nesis de las ideas, del dibujo y en cierta manera al pa?s de la ni?ez: aquel del que todos fuimos ciudadanos y donde a nadie lo abrumaba el abismo de una p?gina en blanco≫.＜br /＞ Mariano Sigman＜/p＞ ＜p＞≪En un mundo rodeado de im?genes y gr?ficos, el artista Javirroyo nos invita a perder el miedo a dibujar, a recuperar el rotulador y disfrutarlo≫.＜br /＞ ＜em＞RTVE＜/em＞＜/p＞ ＜p＞≪Con humor y toda la libertad del mundo, Javirroyo nos propone retos, actividades, ejercicios y tambi?n nos ofrece consejos de todo tipo≫.＜br /＞ Llu?s Tort, ＜em＞El Punt Avui＜/em＞＜/p＞ ＜p＞≪Faltan m?s t?os que se mojen como Javirroyo≫.＜br /＞ Moderna de Pueblo＜/p＞ ＜p＞≪La simplicidad aplicada al humor gr?fico≫.＜br /＞ Camino Ivars, ＜em＞Heraldo＜/em＞＜/p＞ ＜p＞≪Javirroyo comparte dibujos y vi?etas que hacen pensar y remueven conciencias≫.＜br /＞ Rub?n L?pez, ＜em＞El Peri?dico de Arag?n＜/em＞＜/p＞ ＜p＞＜strong＞La cr?tica ha dicho sobre＜/strong＞ ＜em＞＜strong＞Laborachismo＜/strong＞＜/em＞ ＜strong＞:＜/strong＞＜br /＞ ≪Javirroyo aborda con humor la urgencia de repensar el trabajo y los cuidados a trav?s de peque?as c?psulas en forma de vi?etas que desatan primero la risa, y que a continuaci?n convierten la mueca en un gesto sombr?o, conscientes de que los tent?culos del machismo son omnipresentes≫.＜br /＞ Juan Losa, ＜em＞P?blico＜/em＞＜/p＞ ＜p＞≪Un c?mic mordaz, valiente y muy necesario≫.＜br /＞ Diego Garc?a Rouco, ＜em＞Zona Negativa＜/em＞＜/p＞ ＜p＞≪Una de las claves de su ?xito: la sencillez aparente de unas ilustraciones que, con unos pocos trazos y altas dosis de humor, desgranan reflexiones profundas≫.＜br /＞ ＜em＞Diari de Girona＜/em＞＜/p＞ ＜p＞＜strong＞La＜/strong＞ ＜strong＞cr?tica＜/strong＞ ＜strong＞ha＜/strong＞ ＜strong＞dicho＜/strong＞ ＜strong＞sobre＜/strong＞ ＜em＞＜strong＞Homo＜/strong＞＜/em＞ ＜em＞＜strong＞machus＜/strong＞＜/em＞ ＜strong＞:＜/strong＞＜br /＞ ≪Un libro que habla de todo aquello de lo que los hombres no queremos hablar, que nos sacude y nos interpela, que nos hace no querer escurrir el bulto sino hacernos responsables de ?l: [...] una gran oportunidad para ser mejores≫.＜br /＞ Roy Gal?n＜/p＞ ＜p＞≪A Javirroyo le gusta meterse en jardines [...] y no cae, y es de agradecer, en un metamachismo habitual que es el de los aliados que explican cosas, parafraseando a Rebecca Solnit≫.＜br /＞ Sara Polo, ＜em＞El＜/em＞ ＜em＞Mundo＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Despu?s de Hamlet, Medida por medida es una de las obras de Shakespeare que m?s inter?s interpretativo han suscitado.＜/strong＞＜/p＞ ＜p＞Shakespeare escribe ＜em＞Medida por medida＜/em＞ en un momento en el que el teatro ingl?s y ?l mismo est?n pasando por una etapa de experimentaci?n e innovaci?n. Ya no escribir? m?s comedias de amor, sino tragicomedias. Dentro de este g?nero, parece atra?do por las posibilidades dram?ticas de la llamada ≪comedia de perd?n≫, que, como en esta obra, le brinda la oportunidad de ensayar nuevas combinaciones de seriedad y comicidad. La cr?tica siempre ha observado que en ＜em＞Medida por medida＜/em＞ la sexualidad tiene una presencia mucho m?s abierta y constante de lo que es habitual en Shakespeare e incluso ha mostrado que es en relaci?n con ella c?mo los personajes se definen. Sin embargo, no puede decirse que Shakespeare defienda la sexualidad ＜em＞per se＜/em＞; m?s bien parece que la acepta sin condenarla, cuestionando el t?pico de la virtud sobre el vicio.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Despu?s del fin del arte＜/em＞ recoge las "Mellone Lectures in the Fine Arts" pronunciadas por Arthur C. Danto en el a?o 1995.＜/p＞ ＜p＞En alguno de sus textos, Arthur Danto ya hab?a situado el fin del arte exactamente en los a?os sesenta. Sin embargo, y a pesar de esta afirmaci?n radical, ha continuado efectuando una cr?tica radical de la naturaleza del arte en nuestro tiempo. ＜em＞Despu?s del fin del arte＜/em＞ presenta la primera reformulaci?n a gran escala de esa intuici?n de Danto y muestra c?mo, tras el eclipse del expresionismo abstracto, el arte se ha desviado irrevocablemente del curso narrativo que Vassari defini? para ?l en el Renacimiento, de modo que lo que debe hacerse es se?alar el camino hacia un nuevo tipo de cr?tica que resulte capaz de ayudarnos a entender el arte en esta era posthist?rica: un tiempo en el que, por ejemplo, las teor?as tradicionales no pueden explicar la diferencia entre una obra de Andy Warhol y el producto comercial en el que se inspira.＜/p＞ ＜p＞Se trata, pues, de plasmar una serie de consideraciones, tan rigurosas como amenas, sobre los m?s relevantes temas est?ticos y filos?ficos con respecto al arte que, a su vez, reflejan a la perfecci?n el pensamiento de uno de los observadores m?s atentos de la escena est?tica actual.＜/p＞ ＜p＞En este libro, pues, se re?nen, entre otras muchas cosas, el pop, el ≪arte del pueblo≫, el futuro de los museos y la contribuci?n te?rica de un hombre como Clement Greenberg que hace ya mucho tiempo explic? el sentido de la modernidad sobre una base cr?tica fundamentada en la est?tica para esbozar una nueva historia del arte que va desde la tradici?n mim?tica (la idea de que el arte es una fiel representaci?n de la realidad) hasta los manifiestos de la ?poca moderna (en los que el arte se define como la filosof?a del artista).＜br /＞ La conclusi?n es que ya no es posible aplicar las nociones tradicionales de la est?tica al arte contempor?neo, sino que hay que centrarse en una filosof?a de la cr?tica de arte que pueda arrojar luz con la que quiz? sea la caracter?stica m?s sorprendente del arte contempor?neo: que todo es posible.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Los profundos e interesantes cambios de la sociedad espa?ola en el siglo XX vistos a trav?s de las pel?culas que nos han marcado. Una celebraci?n del cine y la cultura popular espa?ola.＜/strong＞＜/p＞ ＜p＞El trasfondo de un pa?s de la ＜strong＞complejidad de Espa?a＜/strong＞ ha sido objeto de apasionados debates que arreciaron durante el zarandeado siglo XX, cuando se lo consider? un ≪enigma hist?rico≫, un ≪laberinto≫ o algo ≪invertebrado≫. Pero bajo tantos quiebros identitarios a?n pod?an reconocerse continuidades tan llamativas como la ＜strong＞vitalidad de su cultura popular, incluso tras la llegada del cine, que la rearticul? de abajo arriba＜/strong＞, asistido por la industrializaci?n del ocio y el consumo de masas.＜/p＞ ＜p＞A la altura de los a?os sesenta del pasado siglo, las mutaciones eran de tal calibre que ＜strong＞lo ＜em＞popular＜/em＞ se hab?a convertido en ＜em＞pop＜/em＞＜/strong＞ ＜em＞,＜/em＞ estableciendo un nuevo pacto que la llegada de la democracia tradujo dos d?cadas despu?s en ＜strong＞productos tan inclasificables como las pel?culas de Almod?var＜/strong＞. Un realizador que tras su audaz vanguardismo terminar?a mostrando un hondo enraizamiento en tradiciones de tanto recorrido como el sainete, ya actualizado en la filmograf?a de Berlanga. No son los ?nicos ejemplos de ese sustrato aut?ctono atendidos por este libro. En sus p?ginas se narran muchos otros, trazando una cr?nica ーdram?tica o desenfadada, siempre fascinanteー de sus aspectos m?s ins?litos o significativos. Se exploran as? ＜strong＞nuevas perspectivas sobre el cine, la intrahistoria espa?ola y su vida cotidiana＜/strong＞, revelando sorprendentes atavismos agazapados en nuestro irreductible imaginario colectivo.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Los profundos e interesantes cambios de la sociedad espa?ola en el siglo XX vistos a trav?s de las pel?culas que nos han marcado. Una celebraci?n del cine y la cultura popular espa?ola.＜/strong＞＜/p＞ ＜p＞El trasfondo de un pa?s de la ＜strong＞complejidad de Espa?a＜/strong＞ ha sido objeto de apasionados debates que arreciaron durante el zarandeado siglo XX, cuando se lo consider? un ≪enigma hist?rico≫, un ≪laberinto≫ o algo ≪invertebrado≫. Pero bajo tantos quiebros identitarios a?n pod?an reconocerse continuidades tan llamativas como la ＜strong＞vitalidad de su cultura popular, incluso tras la llegada del cine, que la rearticul? de abajo arriba＜/strong＞, asistido por la industrializaci?n del ocio y el consumo de masas.＜/p＞ ＜p＞A la altura de los a?os sesenta del pasado siglo, las mutaciones eran de tal calibre que ＜strong＞lo ＜em＞popular＜/em＞ se hab?a convertido en ＜em＞pop＜/em＞＜/strong＞ ＜em＞,＜/em＞ estableciendo un nuevo pacto que la llegada de la democracia tradujo dos d?cadas despu?s en ＜strong＞productos tan inclasificables como las pel?culas de Almod?var＜/strong＞. Un realizador que tras su audaz vanguardismo terminar?a mostrando un hondo enraizamiento en tradiciones de tanto recorrido como el sainete, ya actualizado en la filmograf?a de Berlanga. No son los ?nicos ejemplos de ese sustrato aut?ctono atendidos por este libro. En sus p?ginas se narran muchos otros, trazando una cr?nica ーdram?tica o desenfadada, siempre fascinanteー de sus aspectos m?s ins?litos o significativos. Se exploran as? ＜strong＞nuevas perspectivas sobre el cine, la intrahistoria espa?ola y su vida cotidiana＜/strong＞, revelando sorprendentes atavismos agazapados en nuestro irreductible imaginario colectivo.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。