著者： Timothy Hilton出版社：Thames & Hudsonサイズ：ペーパーバックISBN-10：0500201447ISBN-13：9780500201442■こちらの商品もオススメです ● 中吊り小説 / 吉本 ばなな / 新潮社 [文庫] ● マティス / マティス, 峯村 敏明 / 新潮社 [新書] ● クラゲガイドブック Jellyfish　in　Japanese　wat / 並河 洋 / 阪急コミュニケーションズ [単行本（ソフトカバー）] ● 忘れたふり / 吉本 ばなな / 幻冬舎 [単行本] ● アイヌ文化の基礎知識 / 草風館 / 草風館 [単行本] ■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで48時間かかる場合があります。あらかじめご了承ください。 ■メール便は、1冊から送料無料です。※宅配便の場合、2,500円以上送料無料です。※あす楽ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。※配送番号付きのゆうパケットをご希望の場合は、追跡可能メール便（送料210円）をご選択ください。■ただいま、オリジナルカレンダーをプレゼントしております。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者： Timothy Hilton出版社：Thames & Hudsonサイズ：ペーパーバックISBN-10：0500201447ISBN-13：9780500201442■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　出荷まで48時間かかる場合があります。あらかじめご了承ください。 ■メール便は、1冊から送料無料です。※宅配便の場合、2,500円以上送料無料です。※あす楽ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者： Timothy Hilton出版社：Thames & Hudsonサイズ：ペーパーバックISBN-10：0500201447ISBN-13：9780500201442■こちらの商品もオススメです ● 中吊り小説 / 吉本 ばなな / 新潮社 [文庫] ● マティス / マティス, 峯村 敏明 / 新潮社 [新書] ● クラゲガイドブック Jellyfish　in　Japanese　wat / 並河 洋 / 阪急コミュニケーションズ [単行本（ソフトカバー）] ● 忘れたふり / 吉本 ばなな / 幻冬舎 [単行本] ● アイヌ文化の基礎知識 / 草風館 / 草風館 [単行本] ■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Raul A. Barreneche出版社：Rizzoliサイズ：ハードカバーISBN-10：0847834123ISBN-13：9780847834129■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Raul A. Barreneche出版社：Rizzoliサイズ：ハードカバーISBN-10：0847834123ISBN-13：9780847834129■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで72時間かかる場合があります。あらかじめご了承ください。■宅配便(送料398円)にて出荷致します。合計3980円以上は送料無料。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Raul A. Barreneche出版社：Rizzoliサイズ：ハードカバーISBN-10：0847834123ISBN-13：9780847834129■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで48時間かかる場合があります。あらかじめご了承ください。 ■メール便は、1冊から送料無料です。※宅配便の場合、2,500円以上送料無料です。※あす楽ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。※配送番号付きのゆうパケットをご希望の場合は、追跡可能メール便（送料210円）をご選択ください。■ただいま、オリジナルカレンダーをプレゼントしております。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Stephen Bird出版社：Scala Booksサイズ：ペーパーバックISBN-10：1857594665ISBN-13：9781857594669■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで72時間かかる場合があります。あらかじめご了承ください。■宅配便(送料398円)にて出荷致します。合計3980円以上は送料無料。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Stephen Bird出版社：Scala Booksサイズ：ペーパーバックISBN-10：1857594665ISBN-13：9781857594669■通常24時間以内に出荷可能です。※繁忙期やセール等、ご注文数が多い日につきましては　発送まで48時間かかる場合があります。あらかじめご了承ください。 ■メール便は、1冊から送料無料です。※宅配便の場合、2,500円以上送料無料です。※あす楽ご希望の方は、宅配便をご選択下さい。※「代引き」ご希望の方は宅配便をご選択下さい。※配送番号付きのゆうパケットをご希望の場合は、追跡可能メール便（送料210円）をご選択ください。■ただいま、オリジナルカレンダーをプレゼントしております。■お急ぎの方は「もったいない本舗　お急ぎ便店」をご利用ください。最短翌日配送、手数料298円から■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済は、クレジットカード、代引き等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

著者：Stephen Bird出版社：Scala Booksサイズ：ペーパーバックISBN-10：1857594665ISBN-13：9781857594669■通常24時間以内に出荷可能です。■ネコポスで送料は1～3点で298円、4点で328円。5点以上で600円からとなります。※2,500円以上の購入で送料無料。※多数ご購入頂いた場合は、宅配便での発送になる場合があります。■ただいま、オリジナルカレンダーをプレゼントしております。■送料無料の「もったいない本舗本店」もご利用ください。メール便送料無料です。■まとめ買いの方は「もったいない本舗　おまとめ店」がお買い得です。■中古品ではございますが、良好なコンディションです。決済はクレジットカード等、各種決済方法がご利用可能です。■万が一品質に不備が有った場合は、返金対応。■クリーニング済み。■商品画像に「帯」が付いているものがありますが、中古品のため、実際の商品には付いていない場合がございます。■商品状態の表記につきまして・非常に良い：　　使用されてはいますが、　　非常にきれいな状態です。　　書き込みや線引きはありません。・良い：　　比較的綺麗な状態の商品です。　　ページやカバーに欠品はありません。　　文章を読むのに支障はありません。・可：　　文章が問題なく読める状態の商品です。　　マーカーやペンで書込があることがあります。　　商品の痛みがある場合があります。

＜p＞＜strong＞A comprehensive study of the Mexican writer considered one of the finest novelists and short-story writers in 20th-century Latin America.＜/strong＞＜/p＞ ＜p＞Juan Rulfo, 1917-1986, is one of the three greatest writers of twentieth-century Mexico together with Carlos Fuentes and Octavio Paz. ＜em＞A Companion to Juan Rulfo＜/em＞ is the most comprehensive modern study of Rulfo. The first sections situate his life and work in the historical and political context of the Mexican Revolution and Cristero Wars and within the interlinking currents of specifically national and wider Western literary and cultural traditions.Later sections offer detailed analyses of the short stories, ＜em＞El Llano en llamas＜/em＞, the novel ＜em＞Pedro P?ramo＜/em＞, the novella ＜em＞El gallo de oro＜/em＞ and of Rulfo's substantial photographic work, the importance of which has only recently been grasped. Throughout the study the focus is to bring into a productive dialogue the different dimensions of Rulfo's texts: the materiality of his hauntingly strange poetic prose, the disturbing instability of meaning and identity, the alienation caused by violence and injustice.＜/p＞ ＜p＞Steven Boldy is Professor of Latin American Literature at the University of Cambridge.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I.＜/strong＞＜/p＞ ＜p＞Drawing on many archival findings, this book considers the emerging function and status of orchestral conductors in Britain, and the nature of the opportunities available to them, from the late Victorian era until the outbreak ofWorld War I. It does so by examining and comparing the profiles and impact of eight men whose work supplied the needs of a variety of institutions across the period but whose significant contributions were overshadowed by the emergence of virtuoso interpreters. The conducting activities of Julius Benedict, William Cusins, Joseph Barnby, Arthur Sullivan, Frederic Cowen, Alexander Mackenzie, Dan Godfrey and Landon Ronald provide a lens through which the evolution of conducting as a profession is traced. At the British Empire's height their work was shaped by and enriched the cultural life of the nation. During a period of intense activity and development, their portfolios of engagements and working patterns shed light on the infrastructures within the music business. By focusing on the fortunes and agency of conductors resident within the marketplace, this book deepens our understanding of the internal networks, influences and priorities within musical life in Britain in the late nineteenth century.＜/p＞ ＜p＞FIONA M. PALMER is Professor of Music at the National University of Ireland Maynooth.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Explores the scope that there is for Indigenous curatorial agency in the relationship of Indigenous contemporary art with the 'art world'.＜/strong＞＜/p＞ ＜p＞This monograph focuses on the current boom in Indigenous contemporary art in Brazil, exploring in particular the way that this work interfaces with the art world through exhibitions, and the scope that there is for Indigenous curatorial agency in this relationship. After a brief introduction to Indigenous art, it gives an overview of the evolving relationship between Indigenous art and the art world, exploring in particular the nature of decolonial and/or Indigenous curatorial practice both in Brazil and elsewhere in the world. It then hones in on a recent exhibition: 'Arte Eletr?nica Ind?gena' [Indigenous Electronic Art], held at the Museum of Modern Art of Bahia in Salvador in August 2018. Based on participant observation and interviews, it provides an ethnographic reading of the opening weekend of the exhibition, looking at the alternative modalities of Indigenous curatorial agency that were exercised by the Indigenous people present. The conclusion explores the legacy of the 'Arte Eletr?nica Ind?gena' exhibition, particularly for the Indigenous communities involved, and looks to the evidence provided by the exhibition for lessons to be learned for future exhibitions.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Essays on aspects of the natural world, its heritage, and how best to preserve it.＜/strong＞＜/p＞ ＜p＞Europe's engagement from the late sixteenth century onwards in scientific Earth science inquiry has generated numerous and varied collections of minerals, rocks, and fossils, together with their associated archives, artworks and publications, forming a rich cultural geoheritage held in major private and especially royal and aristocratic collections, museums, universities, archives and libraries. The mines, quarries, geological structures, landforms, minerals, rocks and fossils - or geodiversity - that underpin these collections populate past and present-day Earth science literature. However, for too long their scientific, historic and cultural significance was not universally recognised and generally they were not accorded adequate resources and protection - or geoconservation. Hence, geotourism was developed in the 1990s to raise public awareness of Europe's geoheritage and geodiversity and to promote itsgeoconservation; the volume's theoretical essays and case studies examine these four core geoelements and provide a timely introduction for anyone interested in natural history museums, countryside management, and landscape-basedtourism.＜/p＞ ＜p＞Dr Thomas A. Hose is an Honorary Research Associate in the School of Earth Sciences, University of Bristol. He has pioneered the recognition of and research into geotourism, and is the author of the world's first doctoral thesis on the subject.＜/p＞ ＜p＞Contributors: Kevin Crawford, Peter Davis, John E. Gordon. Thomas A. Hose, Jonathan G. Larwood, Slobodan B. Markovic, Martin Munt, Emmanuel Reynard, Nemanja Tomic, Djordjije A. Vasiljevic, Margaret Wood, Volker Wrede＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians.＜/strong＞＜/p＞ ＜p＞For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians. Generations of British artists have viewed the ocean as a metaphor for the mutable human condition - by turns calm and reflective, tempestuous and destructive - and have been influenced as much by its physical presence as by its musical potential. But just as geographical perspectives and attitudes on seascapes have evolved over time, so too have culturalassumptions about their meaning and significance. Changes in how Britons have used the sea to travel, communicate, work, play, and go to war have all irresistibly shaped the way that maritime imagery has been conceived, represented, and disseminated in British music.＜br /＞ By exploring the sea's significance within the complex world of British music, this book reveals a network of largely unexamined cultural tropes unique to this island nation. The essaysare organised around three main themes: the Sea as Landscape, the Sea as Profession, and the Sea as Metaphor, covering an array of topics drawn from the seventeenth century to the twenty-first. Featuring studies of pieces by thelikes of Purcell, Arne, Sullivan, Vaughan Williams, and Davies, as well as examinations of cultural touchstones such as the BBC, the Scottish fishing industry, and the Aldeburgh Festival, ＜em＞The Sea in the British Musical Imagination＜/em＞ will be of interest to musicologists as well as scholars in history, British studies, cultural studies, and English literature.＜/p＞ ＜p＞ERIC SAYLOR is Associate Professor of Musicology at Drake University.＜/p＞ ＜p＞CHRISTOPHER M. SCHEER is Assistant Professor of Musicology at Utah State University.＜/p＞ ＜p＞CONTRIBUTORS: Byron Adams, Jenny Doctor, Amanda Eubanks Winkler, James Brooks Kuykendall, Charles Edward McGuire, Alyson McLamore, Louis Niebur, Jennifer Oates, Eric Saylor, Christopher M. Scheer, Aidan J. Thomson, Justin Vickers, Frances Wilkins＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.＜/strong＞＜/p＞ ＜p＞Peter Dickinson has made an enduring contribution to British musical life, and his music has been regularly performed and recorded by leading musicians. His writings, brought together here for the first time, are equally noteworthy. Covering well over half a century, the subjects are fascinatingly varied. Apart from musical interests ranging from Charles Ives to John Cage, they touch on literature; and Dickinson's meetings with W.H. Auden and Philip Larkinare an intriguing insight that led to his Auden songs and the chamber work ＜em＞Larkin's Jazz＜/em＞. American themes are prominent in this collection. There are unique reviews of concert life in New York from 1959 to 1961; an accountof the teaching programme at the Juilliard School of Music at that time; three studies of Ives; and features containing original material on Copland, Thomson and Cage, all of whom Dickinson knew. Features on Erik Satie include the imaginary discussion marking his centenary in 1966. Dickinson also writes about his own music, providing an insight into what it was like being a British composer in the later twentieth century.＜br /＞ Peter Dickinson was born inLancashire in 1934 and now lives in Suffolk. His 80th birthday was marked by a whole variety of tributes, including concerts, articles, broadcasts and various interviews - some included in this book.＜/p＞ ＜p＞PETER DICKINSON is aBritish composer and pianist as well as author and editor of Boydell/URP books on Berkeley, Copland, Cage, Barber and Berners. As a pianist, Dickinson had a twenty-five-year, international partnership with his sister, the mezzo Meriel Dickinson, for whom he wrote song cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith. He was a regular contributor to BBC Radio 3 and is widely read as a critic on the Gramophone. He is an Emeritus Professor ofthe Universities of Keele and London and is chair of the Bernarr Rainbow Trust, for which he has edited several books on music education.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology.＜/strong＞＜/p＞ ＜p＞The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate.＜br /＞ The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts.＜/p＞ ＜p＞Robert Liddiard is Professor of History, University of East Anglia.＜/p＞ ＜p＞Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.＜/strong＞＜/p＞ ＜p＞How has the German image of the Nazi past changed since the reunification of East and West Germany? And what role have cinema and television played in this process? This intriguing study argues that since 1990, the two media haveturned toward inner German experiences of the Third Reich. From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, German film has focused on portraying the Nazi past from within. Stimulating and accessible, combining close readings with broad contextualization, this monograph shows how profoundly cinema and television have transformed collective remembrance of the Third Reich. The first publication on the topic to embrace the two decades since 1990, it provides a comprehensive account of cinema and television productions, presenting case studies of national film events such as ＜em＞Stalingrad＜/em＞ (1993) and ＜em＞Downfall＜/em＞ (2004), andassessing the influence of international blockbusters from ＜em＞Schindler's List＜/em＞ (1993) to ＜em＞The Reader＜/em＞ (2008). Targeted at a wide readership, the book will be a central reference point for university teachers offering courses on German film or cultural memory, will give guidance to both undergraduate and postgraduate students, and will make a lasting impact on research in the field of German screen cultures.＜/p＞ ＜p＞Axel Bangert holds a doctorate from the Faculty of Modern and Medieval Languages, University of Cambridge. Previously a Junior Research Fellow at Homerton College, Cambridge, he is an Adjunct Professor at New York University Berlin where he teaches German Cinema Studies.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Despite much triumph in adversity, illness fuelling composition is a misconception.＜/strong＞＜/p＞ ＜p＞The health - and especially deaths - of composers excite controversy. Was Mozart really poisoned? Did Tchaikovsky commit suicide? How did Beethoven lose his hearing? Much good previous scholarship has been sullied by unsubstantiated views, and many composers' reputations have been unfairly tarnished by scandalous commentary, often involving alcoholism or syphilis.＜br /＞ This book, by a Fellow of the Royal College of Surgeons, charts the disturbed physical and mental health of 70 great composers. It attempts to unpick the evidence forensically and to define the cause of death based on the legal paradigm of a balance of probabilities. The author reviews where the composer was when thefinal illness or death overtook him and considers how many of them would have fared with modern treatment. Chapters are organised thematically, by illness; and numerous misconceptions, such as madness fuelling creativity, are challenged. The book relates the nature of composition to composers' suffering, showcasing much triumph in adversity, and, importantly, rehabilitates reputations.＜/p＞ ＜p＞JONATHAN NOBLE is a retired surgeon, who has spent many years researching the illnesses and deaths of composers. He is a Fellow of the Royal College of Surgeons and was President of the British Association of Knee Surgeons as well as the British Orthopaedic Sports Trauma Association. He looked after Test cricketers, Manchester United, and dancers and musicians in the North of England.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Explores Benjamin Britten's deeply-felt cultural affinity with Russia and influences on the 'Russian' Britten.＜/strong＞＜/p＞ ＜p＞This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians- why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. ＜em＞Benjamin Britten and Russia＜/em＞ will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely.＜/p＞ ＜p＞CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞This final volume of Bernth Lindfors's definitive biography records the remarkable achievements and experiences of Ira Aldridge in the last years of his life, when he performed at theaters throughout Europe.＜/strong＞＜/p＞ ＜p＞＜em＞Ira Aldridge The Last Years, 1855-1867＜/em＞, the fourth volume of Bernth Lindfors's definitive biography, places on record Aldridge's remarkable achievements and experiences in the final phase of his life, when he performed at theaters throughout Europe. His first Continental tour in 1852-1855 had been a spectacular success, and though he returned to Britain periodically afterwards, he spent much of the remainder of his career entertaining audiences in central and eastern Europe, mainly in Ukraine and Russia. His Shakespearean performances in St. Petersburg in 1858 and Moscow in 1862 were among his greatest triumphs and led to numerous appearances elsewhere in provincial cities and towns.＜/p＞ ＜p＞During his forty-three years on stage in Europe, Ira Aldridge traveled more widely and won more honors, decorations, and awards than any other actor of his day. He is remembered not only as a talented thespian but also as a very visible representative of his race, someone who changed European perceptions of black people through the sheer brilliance of his artistry on stage. And by doing so, he helped to humanize the image of Africans andtheir descendants in Europe at an important transitional moment in history, when the movement to abolish slavery was gathering force and winning international acceptance.＜/p＞ ＜p＞Bernth Lindfors is Professor Emeritus of English and African literatures at the University of Texas at Austin.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Konrad Wolf (1925-1982) was East Germany's greatest filmmaker and also an influential public figure in his country's political and cultural life. As artist and representative of the GDR, he had to perform a complex balancing act between aesthetic conscience and political function, not unlike Brecht. His work covers almost the whole lifespan of the GDR, in a range of filmic styles and genres, from musicals to antifascist films to films of everyday life.＜br /＞ This book, the first in English on Wolf's entire oeuvre, proposes that we understand his work as an archive both of his own personal experience and of the ideology of socialism, embedded in self-reflexive filmic forms and generic references that put Wolf in the vicinity of other filmmakers like Fassbinder, Wajda, and Tarkovsky. The book's comparativist dimension, as well as its larger examination of the problems of a politically committed artist in state socialism, will make it of interest to all readers concerned with late-twentieth-century film history, art under socialism, and the history of East Germany and Eastern Europe.＜/p＞ ＜p＞Larson Powell is Professor of Film Studies at University of Missouri, Kansas City. He has published ＜em＞The Technological Unconscious＜/em＞ (2008); ＜em＞The Differentiation of Modernism＜/em＞ (2013), and edited volumes on German television and on classical music in the GDR.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.＜/strong＞＜/p＞ ＜p＞The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman.＜br /＞ ＜em＞Music, Indigeneity, Digital Media＜/em＞ is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century.＜/p＞ ＜p＞Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace＜/p＞ ＜p＞Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞The story of the critical reception of Crane's great Civil War novel from its publication to the present, with particular attention to the effects of later wars on that reception.＜/strong＞＜/p＞ ＜p＞Stephen Crane's masterpiece ＜em＞The Red Badge of Courage＜/em＞ was a sensation when it first appeared in 1895: many readers were astonished that this upstart, born after the Civil War, had written the single best novel on the subject. It remains one of the best books on the experience of war in American literature. Since its publication, ＜em＞The Red Badge＜/em＞ has been repeatedly subjected to new scrutiny - not only by the passing of time and the changing of critical trends, but by every new war - to see if Crane's story still holds its power. So far, it has done so, not just in the eyes of literary critics but also among soldiers. The two world wars, Korea, Vietnam, the Gulf War, and the wars in Iraq and Afghanistan: all these have shaped the book's critical reception; and veterans, many of whom have commended Crane's insight into the experience of battle, have significantly affected how it has been read and understood. After World War I, ＜em＞Red Badge＜/em＞ was closely associated with modernist novels written by those with wartime experience, Ernest Hemingway most importantly. After World War II and Korea, the book resonated with the manyveterans the G.I. Bill brought into the classroom to study American literature, some of whom became critics themselves. And during and after Vietnam and the other controversial wars that have followed, Crane's book has continuedto call forth a steady stream of critical response. Kevin J. Hayes's book is the story of the critical reception of ＜em＞The Red Badge＜/em＞ both in and out of war.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Analyzes not just M?ller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career M?ller tried to create democracy both within and outside the theater.＜/strong＞＜/p＞ ＜p＞The East German playwright Heiner M?ller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on M?ller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within M?ller's interests in democracy and audience activity,Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of M?ller's work as playwright and director.＜br /＞ In 1985, M?ller spoke of the importance of a "democratic" theater: one thatconfronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's studyshows that M?ller sought to do this in his combined 1988 production of ＜em＞Der Lohndr?cker＜/em＞, ＜em＞Der Horatier＜/em＞, and ＜em＞Wolokolamsker Chaussee IV: Kentauren＜/em＞, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career M?ller tried to make theater that would create a form of democracy both within and outside the theater.＜/p＞ ＜p＞Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞A study of the journalistic and academic reception of the writings of one of the great American writers of the late twentieth century.＜/strong＞＜/p＞ ＜p＞When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that ＜em＞Becoming John Updike＜/em＞ pursues by examining the journalistic and academic response tohis writings.＜br /＞ Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out atleast one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book ＜em＞about＜/em＞ his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike.＜/p＞ ＜p＞Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.＜/strong＞＜/p＞ ＜p＞The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Leh?r, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.＜br /＞ This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writers as well as composers, and deals with institutional and commercial characteristics alongside representative individual works. ＜em＞Music in Vienna＜/em＞ focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interested general reader.＜/p＞ ＜p＞DAVID WYN JONES is Professor of Music at Cardiff University.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞A European novel of racial mixing and "passing" in early twentieth-century America that serves as a unique account of transnational and transcultural racial attitudes that continue to reverberate today.＜/strong＞＜/p＞ ＜p＞Hugo Bettauer's ＜em＞The Blue Stain＜/em＞, a novel of racial mixing and "passing," starts and ends in Georgia but also takes the reader to Vienna and New York. First published in 1922, the novel tells the story of Carletto, son of a white European academic and an African American daughter of former slaves, who, having passed as white in Europe and fled to America after losing his fortune, resists being seen as "black" before ultimately accepting that identityand joining the early movement for civil rights. Never before translated into English, this is the first novel in which a German-speaking European author addresses early twentieth-century racial politics in the United States - notonly in the South but also in the North. There is an irony, however: while Bettauer's narrative aims to sanction a white/European egalitarianism with respect to race, it nevertheless exhibits its own brand of racism by assertingthat African Americans need extensive enculturation before they are to be valued as human beings. The novel therefore serves as a unique historical account of transnational and transcultural racial attitudes of the period that continue to reverberate in our present globalized world.＜/p＞ ＜p＞Hugo Bettauer (1872-1925) was a prolific Austrian writer and journalist, a very early victim of the Nazis. Peter H?yng is Associate Professor of German Studies at Emory University. Chauncey J. Mellor is Emeritus Professor of German at the University of Tennessee, Knoxville. Kenneth R. Janken is Professor of African American and Diaspora Studies at the University of North Carolina, Chapel Hill.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Seminal lectures on music education since the 1990s.＜/strong＞＜/p＞ ＜p＞There is no question that music education is in crisis today. The place of music in the national curriculum is controversial; there have been cuts in the provision of individual lessons; and there have been severe reductions in government funding, with more planned.＜br /＞ This book, containing the first five Bernarr Rainbow Lectures, makes an important and timely contribution to the debate on music education. Baroness Warnock brings the perspective of a distinguished philosopher to bear on issues about the nature of music and its study; Lord Moser urges us to maintain and expand what has been achieved since World War II; the late Professor John Paynter, responsible for the 1960s surge in creative approaches to music teaching, presents his case in two contributions; John Stephens discusses structures for music teaching and then, in a second contribution, brings everything up to date; and Professor Gavin Henderson traces his own colourful career and supports music for all ages.＜br /＞ Also included is the 2005 Royal Philharmonic Society by the Master of the Queen's Music, Sir Peter Maxwell Davies; an assessment from Bernarr Rainbow himself, written late in his life; an indictment from Wilfrid Mellers; and two reviews of ＜em＞Bernarr Rainbow on Music: Memoirs and Selected Writings＜/em＞, showing the continuing importance of his work fifteen years after his death.＜/p＞ ＜p＞This book is part of the series Classic Texts in Music Education, edited by Professor Peter Dickinson, and supported by the Bernarr Rainbow Trust.＜/p＞ ＜p＞Peter Dickinson is a British composer, writer and pianist and authorand editor of books on Lennox Berkeley, Copland, Cage, Barber and Berners.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞First comprehensive study of Italy's "art police", an organisation devoted to protecting cultural artefacts.＜/strong＞＜/p＞ ＜p＞Renowned for their rigorous investigative approach, the dedicated officers of the Carabinieri Command for the Protection of Cultural Property (Carabinieri TPC) have recovered thousands of objects and built legal cases resulting inhigh profile repatriations of cultural property. Their actions have effectively changed an art market that previously depended upon theft and criminal behaviour. Italy is a nation that greatly values its ancient past alongside its artistic present, and it is this appreciation that has led to the creation of the world's premier police force dedicated to law enforcement in the arts, heritage and archaeology. As the TPC's dedicated officers work to protect every aspect of Italy's rich cultural heritage, their organisation, training, approach, missions and successes offer valuable lessons for all who share the goal of protecting and recovering cultural property.＜/p＞ ＜p＞Laurie Rushis a Board Member of the US Committee of the Blue Shield, and employed as an archaeologist by the US army; Luisa Benedettini Millington is a Faculty member of the Community College of Vermont, US.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz.＜/strong＞＜/p＞ ＜p＞Nothing defines the songs of the Great American Songbook more centrally than their urban sensibility. During the first half of the twentieth century, songwriters such as Harold Arlen, Irving Berlin, Dorothy Fields, George and IraGershwin, and Thomas "Fats" Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Through their songs, these artists described America -- not its geography or politics, but its heart -- to Americansand to the world at large.＜/p＞ ＜p＞In ＜em＞City Songs and American Life, 1900-1950＜/em＞, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs -- including some written originally for the stage or screen -- that America heard, sang, and danced to during the turbulent first half of the twentieth century. Many songs portrayed the glamor of Broadway or the energy and Jazz Age culture of Harlem. But a city-bred spirit -- or even a specifically New York City way of feeling and talking -- also infused other widely known and loved songs, stretching from the early decades of the century to the Twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II.＜/p＞ ＜p＞Lasser's deftly written book demonstrates how the soul of city life -- as echoed in the nation's songs -- developed and changed in tandemwith economic, social, and political currents in America as a whole.＜/p＞ ＜p＞Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show ＜em＞Fascinatin' Rhythm＜/em＞ (winner of the Peabody Award) and the author of two previous books.＜/p＞ ＜p＞Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz.＜/strong＞＜/p＞ ＜p＞Nothing defines the songs of the Great American Songbook more centrally than their urban sensibility. During the first half of the twentieth century, songwriters such as Harold Arlen, Irving Berlin, Dorothy Fields, George and IraGershwin, and Thomas "Fats" Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Through their songs, these artists described America -- not its geography or politics, but its heart -- to Americansand to the world at large.＜/p＞ ＜p＞In ＜em＞City Songs and American Life, 1900-1950＜/em＞, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs -- including some written originally for the stage or screen -- that America heard, sang, and danced to during the turbulent first half of the twentieth century. Many songs portrayed the glamor of Broadway or the energy and Jazz Age culture of Harlem. But a city-bred spirit -- or even a specifically New York City way of feeling and talking -- also infused other widely known and loved songs, stretching from the early decades of the century to the Twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II.＜/p＞ ＜p＞Lasser's deftly written book demonstrates how the soul of city life -- as echoed in the nation's songs -- developed and changed in tandemwith economic, social, and political currents in America as a whole.＜/p＞ ＜p＞Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show ＜em＞Fascinatin' Rhythm＜/em＞ (winner of the Peabody Award) and the author of two previous books.＜/p＞ ＜p＞Support for this publication was provided by the Howard Hanson Institute for American Music at the Eastman School of Music at the University of Rochester.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。