＜p＞Presenting the latest research in the area, this volume explores the fundamental concept of ＜em＞qupai＜/em＞ 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from ＜em＞qupai＜/em＞ models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining ＜em＞qupai＜/em＞ as a musical system, contributors explore the concept from multiple directions, notably its historic development, patterns of structural organization, compositional usage in ＜em＞Kunqu＜/em＞ classical opera, influence on the growth of traditional ensemble and solo repertoires, and indeed on 19th-century European music as well. Related essays examine the use of shan'ge 山歌 folksongs as ＜em＞qupai＜/em＞ models in one local opera tradition and the controversial relationship between ＜em＞qupai＜/em＞ forms and the metrically-organized ＜em＞banqiang＜/em＞ 板腔 forms of organization in Beijing opera. The final three essays are focused upon traditional suite forms in which ＜em＞qupai＜/em＞ and non-＜em＞qupai＜/em＞ tunes are mixed, examples drawn from the Minnan ＜em＞nanguan＜/em＞ 南管 repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music of North China.This is the first Western-language study on the nature and background of the ＜em＞qupai＜/em＞ tradition, and the methods by which model melodies have been varied in creation of repertoire. The volume is essential reading for East Asian music specialists and contributes to the fields of ethnomusicology, musicology, music theory, music composition, and Chinese music and performing arts.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

(Easy Piano Personality). A Northern California girl, Sara Bareilles has garnered comparisons to Norah Jones and Fiona Apple. She released her first CD in 2004, but "Love Song," featured as an iTunes free single of the week in June of 2007 and in a commercial for the online music service Rhapsody, catapulted her to stardom. Cherry Lane proudly presents the matching folio to her major-label debut, certified gold by the RIAA. The Easy Piano songbook features her megahit "Love Song" and 11 others, plus photos and an introduction by Sara herself. Other songs: Between the Lines * Bottle It Up * City * Come Round Soon * Fairytale * Gravity * Love on the Rocks * Many the Miles * Morningside * One Sweet Love * Vegas.画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞As a young boy Frank Kovac Jr. fell deeply in love with stargazing, painting glow-in-the-dark constellations on his bedroom wall and inviting friends to an observatory he built in his Chicago backyard. As he reached adulthood, Kovac did not let go of his childhood dreams of reaching the stars. He began scheming to bring the universe home. While working at a paper mill as a young man, Kovac tirelessly built a 22-foot rotating globe planetarium in the woods. Despite failures and collapses, the amateur astronomer singlehandedly built a North Woods treasure, painting more than 5,000 glowing starsーdot by dot in glowing paints. Today, Kovac and his unique planetarium take visitors to the stars every day.＜/p＞ ＜p＞＜em＞The Man Who Painted the Universe: The Story of a Planetarium in the Heart of the North Woods＜/em＞ introduces readers to the mild-mannered astronomy enthusiast whose creativity, ingenuity, fervor, and endurance realized a dream of galactic proportions. The story of this stargazer from Wisconsin’s North Woods so inspired two newspapermen, authors Ron Legro and Avi Lank, that they sought to document the story of the Kovac Planetarium for a new generation of stargazers and dreamers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞34個為愛勇敢做自己的故事＜br /＞ 不分性別，愛上愛情的本質＜br /＞ 透過這些人的現身，我們得以活在越來越好的世界。ーー陳雪＜/strong＞＜/p＞ ＜p＞　　「不分T婆，我就是個媽媽。」＜br /＞ 　　「人生遇到真愛是多?困難，我們要堅持。」＜br /＞ 　　「我女兒是同性戀，已經有交往的對象。」＜/p＞ ＜p＞　　台灣第一本以影像與文字紀?台灣女同志的生命故事，不同世代、不同職業、不同族群的女同志，現身訴??們?心的真正想法與面臨難題。?們想生養小孩，必須花錢到國外受孕，還被質疑女同志不適合教養小孩，領養小孩也是困難重重。由於台灣同志婚姻尚未合法，?們只能到國外登記結婚，?們想跟心愛的人組成家庭，想把財?留給最愛的人，想要在?一半進開刀房時簽下同意書，或者只是想要為愛做自己……。＜/p＞ ＜p＞　　全書採訪34位女同志，分為17組受訪者，?組皆為兩個人，兩個人關係除了戀人，也有姐妹、母女。讓人看見女同志的生活與生命經驗，以及如何面對不同階段的課題，包括身?認同、出櫃、結婚、生子、領養小孩、組成家庭，也具體而微呈現台灣女同志的發展史。＜/p＞ ＜p＞＜strong＞◎本書特色＜/strong＞＜/p＞ ＜p＞　　1.台灣第一本女同志攝影書，收?120餘張動人照片，讓讀者看見女同志多元面貌。＜br /＞ 　　2.透過不同的女同志故事述?，瞭解當代台灣女同志必讀，性別平等教育最佳教材。＜br /＞ 　　3.知名設計師聶永真設計封面。＜/p＞ ＜p＞＜strong＞名人推薦＜/strong＞＜/p＞ ＜p＞　　九把刀、王蘋、沈可尚、呂欣潔、郭英聲、陳文玲、陳雪、張亦絢、萬芳、葉天倫、蔡英文、聶永真ーー拉拉手推薦＜/p＞ ＜p＞　　有愛，就有生命的力量，向大家推薦這本好書。ーー蔡英文（民主進?黨黨主席）＜/p＞ ＜p＞　　當同志可以不同，當同志不是「跟?跟我一樣，只是性傾向的不同」。我們會看見真正的?我，相異但是真實。這本書，記?了不一樣的人生，真實的人生。ーー王蘋（性別人權協會秘書長）＜/p＞ ＜p＞　　必須慚愧地?，在看完本書前，我對女同世界的理解是模糊，片面，甚至?曲的。現在開始學著明白，?一個生來獨一無二的個體，因為愛情，而有了專屬兩人的宇宙。即使在寫實的世界中顯遇阻困，這個宇宙依然能持續運轉不輟的核心，就是天然，純粹，無可取代的愛。這是一本能讓?個異性戀者能重新?觸愛，親近愛的好書。ーー沈可尚（導演）＜/p＞ ＜p＞　　女同志具有女性與同志雙重的社會弱勢身?，讓我們的故事時常難以被看見、被聽見、被認識、被瞭解。本書透過不同組合的女同志身?樣貌，看見我們就在?個角落，一樣的生活、一樣的工作就學、一樣的相愛、一樣的爭執、一樣的和好。我們的愛戀對象或許不同，但那又如何?？這世界因差異而更加美好，望?和我們異同看見。ーー呂欣潔（社會民主黨立委參選人?同志運動者）＜/p＞ ＜p＞　　透過?們的故事，看見勇敢與豁達，而?一顆真實面對自己的心，都是應該被珍惜的。?們所經?的，不僅是一段段的故事，同時是面對自我的真實，而真實本身，就是一種動人。ーー郭英聲（攝影家）＜/p＞ ＜p＞　　「生命就是不斷地come out」，這句話讓我印象深刻。作為女同志，雖然總是被推擠到邊?，但一旦接納了這個永遠偏左的位置，除了為自己的真愛奮鬥，還可以成為他人的典範，終其一生，不斷地come out with對自己的洞察、有意思的點子與社會實踐的動能。ーー陳文玲（政大廣告系教授兼X書院總導師）＜/p＞ ＜p＞　　逐頁翻開，一張一張臉孔，一個一個的生命，生命真實的力量透過攝影中人物之眼凝視?讀者，?讀者也得以通過他人的生命經驗反照自身，愛情、親情背後横括出的景深可以拉出不同時代、世代、族群的故事，透過這些人的現身，我們得以活在越來越好的世界。ーー陳雪（小?家）＜/p＞ ＜p＞　　這本燦爛奪目的攝影書，照亮了我們一個社會的眼睛。我在書中看到勇氣與靈感，也看到耐心，以及藝術想像。它打破了最難打破的視覺惰性，讓多元真正多元。細膩的精神，令同志平權，具體而微────我們發現，?個人的眼睛，都可以是守護神。只要有?，就有我────這裡有凝視的根本。世界就是因此而開闊。ーー張亦絢（作家）＜/p＞ ＜p＞　　這裡的愛情很平凡。但這裡的愛不平凡。＜br /＞ 　　我們?一個人跟世界的關係總有幾處幽暗。?望被理解擁抱的心，誰沒有?？＜br /＞ 　　不只是這裡，不只是那裡，?天都有幾億個期待愛的求救信號，在世界的許多角落。愛，如此簡單，又如此難。祝福這個世界通往未來，以寛闊的愛與?柔的心。ーー萬芳（音樂人?劇場人?廣播人）＜/p＞ ＜p＞　　在這種眼見為憑的年代，沒有聲音沒有影像彷彿是?史蒸發。《拉拉手，在一起》緊緊拉住的不只是伴侶的手，也是家人之間的手，不只是相愛的人要即時把握親情愛情，跟台灣的親密?史也要手牽手在一起，不消失，不缺席。謝謝嘉菲，謝謝書中勇敢的拉拉們。ーー葉天倫（導演）＜/p＞ ＜p＞　　希望這只是一本題材平凡的書，在不遠的文明的未來。ーー聶永真（設計師）＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Diplomarbeit aus dem Jahr 1999 im Fachbereich Filmwissenschaft, Note: 2,0, SAE Institute Frankfurt am Main (Audio Engineer), Veranstaltung: Audio Engineer, Sprache: Deutsch, Abstract: Mit dieser Arbeit wird ein ?berblick ?ber das Feld der Filmton-Produktion gegeben. Dem interessierten Leser wird das n?tige Hintergrundwissen vermittelt, um ein gr??eres Verst?ndnis der in diesem Bereich verwendeten Technik und ihrer Anwendung zu erm?glichen. Die einzelnen Themen orientieren sich ungef?hr an der Reihenfolge einer gro?en Filmproduktion und decken nach und nach die relevanten Bereiche ab.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.＜/p＞ ＜ul＞ ＜li＞Showcases the critical and theoretical approaches in this fast-moving discipline＜/li＞ ＜li＞Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions＜/li＞ ＜li＞Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists＜/li＞ ＜li＞Tackles digital art’s primary practical challenges ? how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence＜/li＞ ＜li＞Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Contemporary Jewish art is a growing field that includes traditional as well as new creative practices, yet criticism of it is almost exclusively reliant on the Second Commandment’s prohibition of graven images. Arguing that this disregards the corpus of Jewish thought and a century of criticism and interpretation, Ben Schachter advocates instead a new approach focused on action and process.＜/p＞ ＜p＞Departing from the traditional interpretation of the Second Commandment, Schachter addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning. He examines Jewish art through the concept of ＜em＞melachot＜/em＞ーwork-like “creative activities” as defined by the medieval Jewish philosopher Maimonides. Showing the similarity between art and ＜em＞melachot＜/em＞ in the active processes of contemporary Jewish artists such as Ruth Weisberg, Allan Wexler, Archie Rand, and Nechama Golan, he explores the relationship between these artists’ methods and Judaism’s demanding attention to procedure.＜/p＞ ＜p＞A compellingly written challenge to traditionalism, ＜em＞Image, Action, and Idea in Contemporary Jewish Art＜/em＞ makes a well-argued case for artistic production, interpretation, and criticism that revels in the dual foundation of Judaism and art history.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Following an international conference organized at the Museum of Modern Art in Warsaw in 2013, ＜em＞Oskar HansenーOpening Modernism＜/em＞ analyzes diverse aspects of the architectural, theoretical, and didactical oeuvre of Oskar Hansen, who was the Polish member of Team 10, a group of architects that challenged standard views of urbanism more than fifty years ago. In chronicling the impact of Hansen’s theory of “Open Form” on architecture, urban planning, experimental film, and visual arts in postwar Poland, this volume traces the flow of architectural ideas in a Europe divided by the Cold War. Through discussions of the ideas of openness and participation in state-socialist economies, ＜em＞Oskar HansenーOpening Modernism＜/em＞ offers new insights into exhibition design and the interrelations of architecture, visual arts, and the state.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞≪Se lo stato si rifiuta di comunicare con noi, se nega l’idea di un’uguaglianza universale, perch? dovremmo accettarlo?≫Hans Ulrich Obrist (Zurigo 1968), vulcanico curatore di mostre, nella sua attivit? si pone continuamente in dialogo con gli artisti e fa dell’intervista un luogo d’indagine artistica e umana mai obsoleto. Dal 2006 ? direttore dei progetti internazionali della Serpentine Gallery di Londra. Fra le sue curatele: do it (1993), Cities on the Move (1997) e Utopia Station (2003). Suo il mitico Interviste (Charta, 2003), volume che riporta alcune delle sue conversazioni con i pi? importanti architetti, artisti e pensatori del nostro tempo.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞When people think of Grand Island, they invariably picture the bridges connecting it with Buffalo to the south and Niagara Falls to the north. They might also think of it as a pleasant and conveniently located suburb or envision the island's natural beauty with the majestic Niagara River flowing serenely around it. But there were no bridges before 1935, and most people know little of the island's long, fascinating history up to that time. To the Iroquois, it was a valued hunting and fishing preserve; to British and French imperialists, a contested frontier asset. After American independence, it became whatever people could dream up--a tax-free utopian settlement, a refuge for Europe's persecuted Jews, a source of timber for Yankee clipper ships, a summer retreat for the wealthy, a playground for the masses, or a collection of small farm villages--all before it assumed its suburban form. Its colorful story, presented through this book's images, emerged from interactions between its unique geography and human imagination.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞LEO the Maker Prince teaches children (both young and old) about 3D printing by following Carla and LEO's journey through Brooklyn. LEO is a walking, talking robot who has the magical ability to to print (in plastic) any object that Carla draws. The other robots have their own special capabilities: H1-H0 prints in metal, Sinclair-10 can find and print objects from a huge catalog of designs, and the others (including AL1C3-D, IRIS-7, and NiXie) have unique talents, too. Readers can come along for the journey, too: all of the objects in the book are printable one way or another.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. ＜em＞The Destruction of Memory＜/em＞ reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence.＜/p＞ ＜p＞Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, ＜em＞The Destruction of Memory＜/em＞ exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law.＜/p＞ ＜p＞In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

(Easy Piano). An easy piano arrangement of the Ed Sheeran hit single complete with lyrics.画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Honorable Mention, Barbara T. Christian Literary Award, Caribbean Studies Association, 2017＜/strong＞＜/p＞ ＜p＞In the wake of the 1959 Cuban Revolution, a key state ideology developed: racism was a systemic cultural issue that ceased to exist after the Revolution, and any racism that did persist was a result of contained cases of individual prejudice perpetuated by US influence. Even after the state officially pronounced the end of racism within its borders, social inequalities tied to racism, sexism, and homophobia endured, and, during the economic liberalization of the 1990s, widespread economic disparities began to reemerge.＜/p＞ ＜p＞＜em＞Cuban Underground Hip Hop＜/em＞ focuses on a group of self-described antiracist, revolutionary youth who initiated a social movement (1996?2006) to educate and fight against these inequalities through the use of arts-based political activism intended to spur debate and enact social change. Their “revolution” was manifest in altering individual and collective consciousness by critiquing nearly all aspects of social and economic life tied to colonial legacies. Using over a decade of research and interviews with those directly involved, Tanya L. Saunders traces the history of the movement from its inception and the national and international debates that it spawned to the exodus of these activists/artists from Cuba and the creative vacuum they left behind. Shedding light on identity politics, race, sexuality, and gender in Cuba and the Americas, ＜em＞Cuban Underground Hip Hop＜/em＞ is a valuable case study of a social movement that is a part of Cuba’s longer historical process of decolonization.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The new edition of this comprehensive study of national and international research and application into wood preservation is both well detailed and broad in coverage.＜br /＞ The text covers the history of preservation: the anatomy of timbers and their breakdown, preservation principles, materials and methods.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞ 7 works of Horace Walpole＜br /＞ English art historian, man of letters, antiquarian and Whig politician (1717-1797)＜/p＞ ＜p＞ This ebook presents a collection of 7 works of Horace Walpole. A dynamic table of contents allows you to jump directly to the work selected.＜/p＞ ＜p＞ Table of Contents:＜br /＞ - Hieroglyphic Tales＜br /＞ - Historic Doubts on the Life and Reign of King Richard the Third＜br /＞ - The Castle of Otranto＜br /＞ - The Letters of Horace Walpole, Earl of Orford ー Volume I＜br /＞ - The Letters of Horace Walpole, Earl of Orford ー Volume II＜br /＞ - The Letters of Horace Walpole, Earl of Orford ー Volume III＜br /＞ - The Letters of Horace Walpole, Earl of Orford ー Volume IV＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Stickley pioneered an architecture based on beauty, simplicity, utility, and organic harmony. His approach came to be known as the Mission style. Complete plans for 78 authentic Mission-style dwellings are reprinted here from an original 1912 publication with over 300 black-and-white illustrations.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art.＜/p＞ ＜p＞Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of ＜em＞The Sublime, Terror and Human Difference＜/em＞ is its engagement with recent debates around ‘9/11’, race and Islam. Battersby shows how, since the eighteenth century, the pleasures of the sublime have been described in terms of the transcendence of terror. Linked to the ‘feminine’, the sublime was closed off to flesh-and-blood women, to ‘Orientals’ and to other supposedly ‘inferior’ human types. Engaging with Kant, Burke, the German Romantics, Nietzsche, Derrida, Lyotard, Irigaray and Arendt, as well as with women writers and artists, Battersby traces the history of these exclusions, while finding resources within the history of western culture for thinking human differences afresh＜/p＞ ＜p＞＜em＞The Sublime, Terror and Human Difference＜/em＞ is essential reading for students of continental philosophy, gender studies, aesthetics, literary theory, visual culture, and race and social theory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Atma Bhog contains more than 900 bhajans, chants and songs from all major spiritual traditions and encompasses one of the largest and at the same time widest collection of bhajans and spiritual songs from all over the world. With chords and translations provided it becomes a treasury that brings great joy in singing, playing along and diving into the deeper meaning of chanting the Divine Names.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The books seeks to examine changes in the U.S.--literary, aesthetic, and social--as represented in novels set in an environment where the gamut of ethnicities and their often differing views of literature and culture that make up the U.S. are more generally found, using the theories and concepts of Mikhail Bakhtin, particularly his concept of the ＜em＞chronotope＜/em＞, or ＜em＞spacetime＜/em＞.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the ‘habitats’, ‘natural milieus’, ‘places’ or ‘shelters’ that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns.＜/p＞ ＜p＞With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides:＜/p＞ ＜ul＞ ＜li＞＜/li＞ ＜li＞16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz＜/li＞ ＜li＞＜/li＞ ＜li＞A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures＜/li＞ ＜li＞＜/li＞ ＜li＞An exploration of the relations between human and political life＜/li＞ ＜li＞＜/li＞ ＜li＞An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞不刻意，才有生活感！＜/strong＞＜/p＞ ＜p＞＜strong＞有?度的家設計，從一個角落開始，＜/strong＞＜/p＞ ＜p＞＜strong＞用雜貨、家具、建材、花草玩一場停止不了，好玩的空間實驗。＜/strong＞＜/p＞ ＜p＞◆第一本台灣日雜風空間全分享，不再只能跟國外取經＜/p＞ ＜p＞◆從黒兔兔到茉莉花園，全台19位人氣達人齊現身，不藏私傾?相授＜/p＞ ＜p＞◆24項經典元素全解剖，這樣分析才能看得?、學得會＜/p＞ ＜p＞◆不只?置，還要裝修、建材、採買、收納，掌握風格不再一知半解＜/p＞ ＜p＞◆caf?、雜貨鋪、工作室、居家，各類空間齊收?，從體驗到開店全滿足＜/p＞ ＜p＞◆全台雜貨、器物、家具採購資訊V.S.裝修訣竅，一本通！＜/p＞ ＜p＞全台雜貨迷、裝修人、開店族、自然?村風玩家ー＜/p＞ ＜p＞不想錯過的Taiwan經驗大分享！＜/p＞ ＜p＞黒兔兔散?生活屋＜/p＞ ＜p＞11+3幸福暖暖ZAKKA HOUSE＜/p＞ ＜p＞旅人之森生活旅行案?所＜/p＞ ＜p＞小花花手作雜貨店＜/p＞ ＜p＞茉莉花園、小茶匙……＜/p＞ ＜ul＞ ＜li＞＜strong＞關於日雜手感空間，?最在乎的關鍵細節是什麼?＜/strong＞＜/li＞ ＜/ul＞ ＜p＞看著《come home！》雜誌裡一幕幕與家人和樂悠間的生活場景，好有生活感！好?暖！令人心生嚮往這般自然舒適的空間！然而，?是否也只能望著氛圍滿分的情境圖片，滿腹疑惑地問：這白色的木地板選用的是什麼木料？這好看的刷白櫃子怎麼做，?裡買得到？這特別的藍色是怎麼漆出來的？大大小小的瓶瓶罐罐怎麼擺才有fu又不凌亂？為什麼簡簡單單的幾?小花也能那麼美麗？怎麼選購家具又怎麼將其融入空間？琺瑯壺、古董秤、工業風燈飾、藤籃在空間中扮演重要?置要角的源由？關於手感自然好空間的關鍵細節，全在此書一次告訴?！＜/p＞ ＜p＞Q：什麼樣的燈飾最符合自然手感的氛圍？＜/p＞ ＜p＞A：形式上則可選擇工業感或復古味濃厚的燈具，如：琺瑯燈、船用燈具、百褶白罩透明邊玻璃燈等，其中又以琺瑯燈的色彩最為多元，是製造空間亮點的最佳?手。?外，若是喜歡自己動手做，則可嘗試用鐵絲彎繞出燈罩，簡單套在燈泡上，點綴以乾燥花圈，一盞自然風味的手感吊燈即能立刻為空間加分。＜/p＞ ＜p＞Q：販售雜貨的店家很多，價差也大，平價雜貨跟古董雜貨有何差異？＜/p＞ ＜p＞A：一般網拍店家販售的雜貨多是複製品，重複性高，因此價格便宜，而古董雜貨的獨特性高，往往都只有一件，價格較高，但也較不容易「撞衫」。考慮?品雜貨的品質或釉料是否適合當食器，建議購買?品時，盡量買裝飾性的小東西就好。古董雜貨因價格不便宜，通常我會建議買較大件、較有存在感的，例如古董秤、古董鐘等很容易可以凸顯獨特性，也不會有退流行或重複等問題。＜/p＞ ＜p＞Q：有?些尋找舊家具或舊物件的管道？如何延續舊貨的生命力？＜/p＞ ＜p＞A：一般復古家具除了在骨董（復古）家具店、網路或跳蚤市場上尋找之外，其實台灣?年有幾次全區域的大掃除，很多人會清掉家中準備淘汰的舊家具，統一放置在區域的回收處，而這些準備被淘汰的舊家具在舊貨迷眼中，反而是無價的寶物。舊貨常會鋪著一層厚厚的灰塵，或是發?、破損，清潔，先用刷子和乾布來好好清乾淨，如果是椅面破損或過??，不妨換掉椅布或更換木條，甚至可以拆掉再重組。＜/p＞ ＜p＞Q：日雜風空間常見的壁板所用的木料為何？＜/p＞ ＜p＞A：條板（壁板）分成幾大類型，有一類是實木做成的。實木做成的條板帶有實木本身的紋路，比較常用的木材有雲杉、松木、橡木這幾種木材，紋理都很漂亮，但因為是原木，所以價格也相對較高。?外也可以用木心板做成的條板，這種條板表面上也有木頭的紋路，價格相對平價，也是常見的室?裝?建材。市面上還有一種材料稱為企口板，是一種有著不同規格以及材質選擇的條板，特色是條板與條板之間?組的接口都已經壓模做好了，使用者可以依照自己的喜好選擇，予以組裝使用即可。＜/p＞ ＜p＞Q：台灣有?些適合的花卉植物可以做成乾燥花？＜/p＞ ＜p＞A：台灣氣候的關係，乾燥花也有季節性、壽命，半年至一年一定要換掉。常見的?瑰乾燥花，可趁?瑰花尚未全開時，倒吊在乾燥通風的地方。本地的花草如四季都有的星辰，春天有金杖菊、木本植物的山防風，夏天可做圓仔花，或是尤加利、進口的棉花，冬天的?球花，冬春的麥稈菊、黒種草、米香。秋冬到山上踏青，可以?拾果實類如栓皮栗、橡實、青鋼櫟與烏?果實。＜/p＞ ＜ul＞ ＜li＞＜strong＞跟著達人這樣做，讓家更有手感，更有?度！＜/strong＞＜/li＞ ＜/ul＞ ＜p＞◎為家留一塊牆面。隔一段時間轉換?置，同一角落，不同表情。＜/p＞ ＜p＞◎時常?花市。隨興點綴當令的花材，就能讓空間隨著季節變換。＜/p＞ ＜p＞◎培養尋找舊貨的雷達。藉由老東西的時間刻痕，為空間憑添迷人韻味。＜/p＞ ＜p＞◎不停止的空間實驗。動手改造?的家，釘釘層板，刷刷油漆，玩空間玩上?。＜/p＞ ＜p＞11+3幸福暖暖主人把雜貨舖與住家合而為一，在這裡築起?的夢幻日雜透天小宅；茉莉花園Jasmine希望有一方天地累積些屬於自己的東西，而意外覓得迷人的老房子；黒兔兔把南法的記憶移植到基隆廟口旁的的小小??館……手感有?度，是他們有著共同的堅持。什麼樣的空間才能具備手感和?度，藉由這些達人的深刻領略和生活經營，徹底從空間思考、色調決定、裝修手法、素材選用、雜貨陳列、家具配置、?置技巧、收納訣竅到植栽花藝等細節，教?逐?完成清新明亮、?暖手感的日式?村風。並且透過這些自然風達人的經驗談，告訴?他們愛用的經典雜貨、生活器物或是家具，進而分享他們通常在?些地方?寶，尋找這些迷人的生活物件或是透過什麼管道，汲取生活美學的養分。＜/p＞ ＜p＞＜strong＞目次＜/strong＞＜/p＞ ＜p＞--CHAPTER1.經典元素＜/p＞ ＜ul＞ ＜li＞牆面 刷白與斑駁帶出?村味＜/li＞ ＜/ul＞ ＜p＞Element01 壁板＜/p＞ ＜p＞Element02 文化石＜/p＞ ＜ul＞ ＜li＞地面 簡樸質地創造自然氣息＜/li＞ ＜/ul＞ ＜p＞Element03 木地板＜/p＞ ＜p＞Element04 陶磚＜/p＞ ＜ul＞ ＜li＞收納展示 手感風收納形式　＜/li＞ ＜/ul＞ ＜p＞Element 05 木箱／抽?＜/p＞ ＜p＞Element 06 層板＜/p＞ ＜ul＞ ＜li＞色調＆塗料 就是要清爽色感＜/li＞ ＜/ul＞ ＜p＞Element07 白色調／淺色調／大地色調＜/p＞ ＜ul＞ ＜li＞門窗 用木門窗創造森林fu＜/li＞ ＜/ul＞ ＜p＞Element08 木門＜/p＞ ＜p＞Element09 木窗＜/p＞ ＜ul＞ ＜li＞家具／?飾 舊貨感與工業風混搭出空間亮點＜/li＞ ＜/ul＞ ＜p＞Element10 櫃子＜/p＞ ＜p＞Element11 ?椅／沙發＜/p＞ ＜p＞Element12 燈飾＜/p＞ ＜p＞Element13 廚具＜/p＞ ＜ul＞ ＜li＞雜貨生活道具 手感生活必備好物件　＜/li＞ ＜/ul＞ ＜p＞Element14 琺瑯器＜/p＞ ＜p＞Element15 籐器／籐籃＜/p＞ ＜p＞Element16 鐵製品／鐵盒／馬口鐵＜/p＞ ＜p＞Element17 復古大鐘＜/p＞ ＜p＞Element18 古董秤＜/p＞ ＜p＞Element19 布飾＜/p＞ ＜p＞Element20 玻璃瓶罐＜/p＞ ＜ul＞ ＜li＞花草 改變空間氛圍的神奇魔力　＜/li＞ ＜/ul＞ ＜p＞Element 21 花藝／植栽＜/p＞ ＜p＞--CHAPTER2.好空間＜/p＞ ＜p＞Part1.住家ー＜/p＞ ＜p＞手作屋的幸福角落／坐落在稻田間的自然手作家園＜/p＞ ＜p＞11+3幸福暖暖ZAKKA HOUSE／濃濃古董味的幸福雜貨店＜/p＞ ＜p＞齊舍設計／三口之家的幸福歸屬＜/p＞ ＜p＞采田舍季／慢慢形成?舊生活感的居家＜/p＞ ＜p＞森林散?空間工作室／跳躍的色彩打造西班牙小樓屋＜/p＞ ＜p＞我愛巴黎／在家當一日巴黎人＜/p＞ ＜p＞Part2.工作室ー＜/p＞ ＜p＞茉莉花園／花草職人用指間魔法喚醒老宅生命力＜/p＞ ＜p＞永無島／喚醒舊物情感的手感工作室＜/p＞ ＜p＞夏米花園／用不停止的實驗精神，享受手作、用力改造＜/p＞ ＜p＞MILA花園Le Jardin de Mila／用老舊物件堆砌起都市裡的自然花房＜/p＞ ＜p＞旅人之森 生活旅行案?所／在房子裡策劃一場森林小旅行＜/p＞ ＜p＞Part3.Caf? shopー＜/p＞ ＜p＞黒兔兔的散?生活屋／斜屋頂下的自然手作屋＜/p＞ ＜p＞小花花手作雜貨店／生活著生活的手作雜貨店＜/p＞ ＜p＞小茶匙／淡淡工業風的清新況味＜/p＞ ＜p＞FARAMITA／原始素材in，塑膠out！的個性空間＜/p＞ ＜p＞--CHAPTER3. 雜貨舖／家具店＜/p＞ ＜p＞普羅旺斯／bonbonmisha／發現迷?普羅旺斯＜/p＞ ＜p＞56deco／?出台?工業風＜/p＞ ＜p＞CAMEZA plus／在黒暗中漫舞的??＜/p＞ ＜p＞小狗媽媽的店／用一家店裝載?不完的雜貨故事＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Studienarbeit aus dem Jahr 2011 im Fachbereich Filmwissenschaft, Note: 1, Universit?t Wien (Theater-, Film- und Medienwissenschaft), Veranstaltung: 'Berliner Schule - Haltungen zur Wirklichkeit' , Sprache: Deutsch, Abstract: Das Kino Christian Petzolds scheint - neben wenigen Ausnahmen - innerhalb der deutschen Film- und Fernsehlandschaft einen visuellen Sonderstatus zu halten. Gerade ihm und den Filmemachern, die zur Berliner Schule gez?hlt werden, gelingt es immer wieder, die festgefahrenen Bilderwelten des konventionellen deutschen Films der sp?ten 1990er und 2000er Jahre in immer neuen Ausformungen konsequent aufzurei?en und damit der entm?ndigenden Serviceleistung einer klassischen synchronischen und reihenhaften Sensationsbild- und Unterhaltungsmaschinerie entgegenzuhalten. In diesen Filmen dominieren Langsamkeit und Genauigkeit das allt?gliche Geschehen. Und man k?nnte auch sagen: Hier im Kino der Berliner Schule gibt es eine nachhaltige Bilderwelt, die insbesondere auch mit dem Unsichtbaren zu arbeiten wei?. Auch auf narrativer Ebene findet sich derlei Innovatives, wenn Geschichte und Politik, wie in Christian Petzolds Die innere Sicherheit , weitergedacht, transformiert und ?ber Neuland aus Wiesen, W?lder, Stra?en und H?user ins Private getragen wird. Dort kann sie einer unmittelbaren Erfahrung ausgesetzt werden, die auf das tats?chliche, reale Erleben des Individuums in Raum und Zeit rekurriert, und somit produktiv gemacht werden kann. Durch das Fragmentarische, sowohl der Zeichenmaterie, wie auch der repr?sentierten Inhalte, reflektiert Petzold mit seinem Film die Heterogenit?t von Wirklichkeit in ganzheitlicher Weise. Im Rahmen dieser Arbeit soll untersucht werden, wie in Petzolds Die innere Sicherheit Geschichte, beziehungsweise ein Geschichtsbewusstsein, konstruiert wird, dass - so die Arbeitshypothese - die interaktive Beziehung zwischen Konzeption und Wirklichkeit, zwischen Bewusstsein und Handlung und nicht die kausale Reihung von Ereignissen der Vergangenheit verfolgt. Es wird der Annahme nachgegangen, wie Petzold Verweise auf eine historische Wirklichkeit streut, um sie gleichsam prismatisch zu brechen und damit Geschichte als kollektives Wirklichkeitsbild produktiv zu ?ffnen, indem die erlebte Wirklichkeit auf der Leinwand mit der eigenen Erfahrung in einen gleichberechtigten Dialog tritt.＜/p＞ ＜p＞Thilo Fischer ist 1987 in M?nchen geboren, lebt und arbeitet in Berlin. Er studierte in Wien Theater-, Film- und Medienwissenschaft (Diplom mit Auszeichnung). W?hrend des Studiums erste Regieassistenzen am Theater (Garage X Theater Wien, Burgtheater Wien, i-camp - Neues Theater M?nchen). Seit 2013 angestellt an der Volksb?hne als Dramaturgie-Assistent. Seither Produktionen mit Regisseuren wie Frank Castorf, Ragnar Kjartansson, Paul McCarthy und Markus ?hrn.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Exemplary Ambivalence in Late Nineteenth-Century Spanish America: Narrating Creole Subjectivity casts new light on the role of exemplary narrative in nineteenth-century Spanish America, highlighting the multiplicity of didactic writing and its dynamic relationship with readers as interpretive agents. Drawing on literary and historical models of creole heterogeneity, Austin’s study probes the unstable social and ethnic fictions of the creole elite as they portray themselves through the flawed canvas of exemplary discourse. Exemplary Ambivalence examines creole subjectivity through postcolonial and Latin American theoretical lenses to show that Spanish American creole subjects, always multiple, reveal their ideological ambivalence through exemplary narrative.＜/p＞ ＜p＞This study examines a cross-section of canonical and lesser-known texts written toward the end of the nineteenth-century by authors across Spanish America, including Eugenio Cambaceres (Argentina), Jos? Asunci?n Silva (Colombia), Jos? Mart? (Cuba), Clorinda Matto de Turner (Peru), and Juana Manuela Gorriti (Argentina). These texts range from realist and modernist novels to a cookbook of multiple authorship, and engage issues of nationalism, citizenship, gender, indigenous rights, and liberal ideologies within the historical context of Spanish America’s weakened democracies and modernizing economies at the end of the nineteenth-century.＜/p＞ ＜p＞Austin’s research fills a critical gap within studies of the nineteenth-century in Spanish America as it explores the inconsistencies of exemplary texts and emphasizes the forms, sources, and implications of creole ideological and narrative multiplicity. By recognizing the inherent ambivalence of exemplary discourse, along with creole writing and reading subjectivities, Exemplary Ambivalence opens fresh perspectives on canonical texts while it also engages some of the non-canonical, hybrid, and fragmentary texts of nineteenth-century reading culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows.＜/p＞ ＜p＞"discriminating, inspired interrogation ... dazzling analysis"ーMarina Warner, ＜em＞Tate Magazine＜/em＞＜/p＞ ＜p＞"Ambitious and a pleasure to read ... a thoroughly worthwhile book."ー＜em＞Times Higher Education＜/em＞ Supplement＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In May 1906, the ＜em＞Atlantic Monthly＜/em＞ commented that Americans live not merely in an age of things, but under the tyranny of them, and that in our relentless effort to sell, purchase, and accumulate things, we do not possess them as much as they possess us. For Bill Brown, the tale of that possession is something stranger than the history of a culture of consumption. It is the story of Americans using things to think about themselves.＜/p＞ ＜p＞Brown's captivating new study explores the roots of modern America's fascination with things and the problem that objects posed for American literature at the turn of the century. This was an era when the invention, production, distribution, and consumption of things suddenly came to define a national culture. Brown shows how crucial novels of the time made things not a solution to problems, but problems in their own right. Writers such as Mark Twain, Frank Norris, Sarah Orne Jewett, and Henry James ask why and how we use objects to make meaning, to make or remake ourselves, to organize our anxieties and affections, to sublimate our fears, and to shape our wildest dreams. Offering a remarkably new way to think about materialism, ＜em＞A Sense of Things＜/em＞ will be essential reading for anyone interested in American literature and culture.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞On peut n'avoir m?me pas trente ans, avoir cr?? une s?rie culte, avoir d?j? ?t? qualifi?e p?le-m?le de " voix d'une g?n?ration " et de " fille naturelle de Susan Sontag et de Woody Allen ", figurer dans la liste du ＜em＞Times＜/em＞ des 100 personnes les plus influentes du monde, avoir vu Joyce Carol Oates chanter vos louanges, avoir d?croch? un contrat faramineux avec une des plus grandes maisons d'?dition am?ricaines, et pourtant ?tre percluse de tocs, de complexes et d'angoisses existentielles.＜/p＞ ＜p＞Lena Dunham, c'est la bonne copine. Celle qui vous raconte par le menu ses plans drague foireux, ses accidents sexuels, ses premiers boulots minables. Mais Lena Dunham, c'est aussi la philosophe n?of?ministe qui nous explique qu'il vaut mieux pour notre sant? mentale bannir ? jamais le mot r?gime de notre vocabulaire, que dans la vie, il y a les hommes et il y a les connards, que New York est la plus belle ville du monde et qu'? la fin, puisqu'il n'y a rien, autant rigoler.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞eBook Interactivo. Junto a la gran arquitectura rom?nica que marca indefectiblemente la Europa medieval aparece, como es natural, una escultura y una pintura que la acompa?a en toda su extensi?n. El arte rom?nico se ha convertido en el gran arte altomedieval que fue el resultado del esfuerzo germ?nico sobre los restos cl?sicos anteriores.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞eBook Interactivo. Junto a la gran arquitectura rom?nica que marca indefectiblemente la Europa medieval aparece, como es natural, una escultura y una pintura que la acompa?a en toda su extensi?n. El arte rom?nico se ha convertido en el gran arte altomedieval que fue el resultado del esfuerzo germ?nico sobre los restos cl?sicos anteriores.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。