＜p＞A man gets out of prison and with his last $250 he buys a 1972 Datsun 510 station wagon. But people keep getting dead wherever the man and his little car go. "Written as a love letter to the real $250 '72 Datsun 510 station wagon I had in college" says the author. " And to the great killer car movies of all time."＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Years is a 1937 novel by Virginia Woolf, the last she published in her lifetime. It traces the history of the genteel Pargiter family from the 1880s to the "present day" of the mid-1930s. Although spanning fifty years, the novel is not epic in scope, focusing instead on the small private details of the characters' lives. Except for the first, each section takes place on a single day of its titular year, and each year is defined by a particular moment in the cycle of seasons. At the beginning of each section, and sometimes as a transition within sections, Woolf describes the changing weather all over Britain, taking in both London and countryside as if in a bird's-eye view before focusing in on her characters. Although these descriptions move across the whole of England in single paragraphs, Woolf only rarely and briefly broadens her view to the world outside Britain (font: Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Alphonse Daudet (N?mes, 13 maggio 1840 ? Parigi, 16 dicembre 1897) ? stato uno scrittore e drammaturgo francese.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞“Il ragazzo della via Gluck” la canzone a cui allude il titolo di quest’opera.＜br /＞ L’ideale aggiornato prosieguo del testo di Celentano.＜br /＞ La fine del mondo per come oggi lo conosciamo, la societ? dei consumi e dello sfruttamento, a favorire un Nuovo Uomo, migliore.＜br /＞ Per rinascere, prima questo mondo deve morire.＜br /＞ I protagonisti dei senza casa, con s? solo l’orgoglio della strada.＜br /＞ Succede che una casa l’acquisiscano. Entrati nella casa, il proprio roblema risolto?＜br /＞ E chissenefrega ora del resto del mondo?＜br /＞ Per quanto tu stia bene, stai bene, ma sei nel mondo che sta male.＜br /＞ Il problema delle chiavi di casa, il rinchiudersi in essa, lasciando fuori il mondo?＜br /＞ La vita ? sui marciapiedi, non nelle case.＜br /＞ Bisogna battere i marciapiedi della vita, alla vita partecipando.＜br /＞ La Magia del Fare a fare qualcosa davvero, di vero Fare.＜br /＞ Copertina di Milena Vignali.＜br /＞ I diritti d’autore a “Associazione per la casa” (area di Radio Sherwood di Padova).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Art (in)?til reflexiona al voltant de la idea d'artista emergent i instituci? cultural com a ens legitimador. El contingut d'aquest marc nom?s ?s la punta de l'iceberg sobre la mediatitzaci? cultural entre art, artista i instituci?, per? serveix per entendre com s'inicia l'artista en un circuit i quins mecanismes es fan servir per absorbir-lo. Aix? ?s com s'allunya l'art de ser una eina pol?tica cr?tica de pensament, i es converteix en producci? i, per tant, en un producte m?s del context postfordista. A partir del canvi de paradigma sobre la idea d'exposici? amb l'objectiu de donar visibilitat a obres ーuna visibilitat necess?ria perqu? arribin a ser artー, Daniel Gasol es pregunta si l'artista s'adapta a la producci? institucional que s'ent?n com a art. L'autor tamb? valora si, per contra, ?s l'exposici? institucional la que dota el treball d'una import?ncia hipot?tica, amb la conseq??ncia indirecta de generar leg?timament creacions confrontants de semblan?a formal i conceptual. Gasol explora l'exist?ncia de diversos tipus de creaci? o contextos que projecten qu? ha de ser art, aix? com sobre qu? considerem art emergent o obra expositiva. Tamb? q?estiona les institucions adients per exhibir produccions art?stiques, i com el sistema del capital i laboral afecta la creaci? i l'exposici? d'art.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Hippolyte Jean Giraudoux est un ?crivain1 et un diplomate fran?ais, n? le 29 octobre 1882 ? Bellac dans la Haute-Vienne et mort le 31 janvier 1944 (? 61 ans) ? Paris. Brillant ?tudiant et soldat d?cor? pendant la Premi?re Guerre mondiale, il occupe des fonctions diplomatiques et administratives tout en ?crivant des romans (Suzanne et le Pacifique en 1921, Siegfried et le Limousin en 1922) avant de se diriger vers le th??tre apr?s sa rencontre avec le com?dien Louis Jouvet qui mettra en sc?ne et interpr?tera ses ?uvres principales. Il est aujourd'hui surtout connu pour son th??tre qui compte des pi?ces c?l?bres comme Amphitryon 38 (1928), La guerre de Troie n'aura pas lieu (1935), ?lectre (1937), Ondine (1939), ou encore La Folle de Chaillot jou?e en 1945 apr?s sa mort. Jean Giraudoux a particip? comme d'autres dramaturges des ann?es 1930-1940 (Cocteau, Anouilh, Sartre, Camus par exemple) ? la r??criture des mythes antiques ?clair?s par les mentalit?s modernes. Il a su allier fantaisie po?tique et go?t pour les images insolites, et ?galement associer le tragique et le l?ger dans une langue ?l?gante et fine, parfois m?me po?tique comme dans Intermezzo ou Ondine. Germanophile et diplomate de carri?re, il est Commissaire g?n?ral ? l'information en 1939-1940 et pendant l'Occupation sa situation est complexe et son r?le contrast?. Jean Giraudoux meurt ? Paris le 31 janvier 1944, ? l'?ge de soixante et un ans, ? la suite d'une intoxication alimentaire ou d'une inflammation du pancr?as (font: Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Life on the Mississippi (1883) is a memoir by Mark Twain of his days as a steamboat pilot on the Mississippi River before the American Civil War, and also a travel book, recounting his trip along the Mississippi River from St. Louis to New Orleans many years after the War. The book begins with a brief history of the river as reported by Europeans and Americans, beginning with the Spanish explorer Hernando de Soto in 1542. It continues with anecdotes of Twain's training as a steamboat pilot, as the 'cub' (apprentice) of an experienced pilot, Horace E. Bixby. He describes, with great affection, the science of navigating the ever-changing Mississippi River in a section that was first published in 1876, entitled "Old Times on the Mississippi". Although Twain was actually 21 when he began his training, he uses artistic license to make himself seem somewhat younger, referring to himself as a "fledgling" and a "boy" who "ran away from home" to seek his fortune on the river, and playing up his own callowness and na?vet?. In the second half, Twain narrates his trip many years later on a steamboat from St. Louis to New Orleans. He describes the competition from railroads, and the new, large cities, and adds his observations on greed, gullibility, tragedy, and bad architecture. He also tells some stories that are most likely tall tales. Simultaneously published in 1883 in the United States and Great Britain, the book is the first submitted to a publisher as a typewritten manuscript (font:Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Clarissa e Lorenzo, madre e figlio. Due vite normali, almeno in apparenza. In realt?, Clarissa ? prigioniera di vissuti terribili, fatti di miseria, brutalit? e indifferenza; giura che suo figlio non subir? quel che lei ? stata costretta a patire, ma non ? in grado di mantenere l’impegno. La donna cresce il figlio offrendogli, con commovente generosit?, un amore allucinato e soffocante.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Thomas Clayton Wolfe＜/strong＞ (October 3, 1900 ? September 15, 1938) was an American novelist of the early twentieth century.＜br /＞ Wolfe wrote four lengthy novels, plus many short stories, dramatic works, and novellas. He is known for mixing highly original, poetic, rhapsodic, and impressionistic prose with autobiographical writing. His books, written and published from the 1920s to the 1940s, vividly reflect on American culture and the mores of that period, albeit filtered through Wolfe's sensitive, sophisticated, and hyper-analytical perspective. He became widely known during his own lifetime.＜br /＞ After Wolfe's death, his contemporary William Faulkner said that Wolfe may have had the best talent of their generation. Wolfe's influence extends to the writings ofbeat generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Letters To A Blind Man, is a book of poetry, focusing on political and social injustice, having a relationship with God, being in love, and personal deep struggles. The book is derived from not only personal experiences, but also from the experiences that I have seen people go through. There are a lot of unspoken truths about America, a lot of misconceptions about God, and a lot of people who gave up love. This book is my attempt at shining some light on these situations, and open up the conversation, so that the problems can be addressed, and handled.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Nuovo caso per Carlo Emilio Malarazza. Una giovane commessa ? stata uccisa e marchiata a fuoco con un ferro raffigurante un elefantino. Un’antica leggenda narra la storia dell’ancella Zelpha, di cui si ? invaghito il dio Fer?n, possessore di un talismano che assicura l’immortalit?. L’ancella fugge, inseguita da "I Mistici", i sacerdoti del dio, e protetta dai "Priori di Tas?n", in una caccia che durer? tremila anni e che arriver? a Napoli e dall’ignaro Malarazza. Nel corso dell’indagine, il commissario scoprir? che il talismano ? conservato all’interno di una teca di pietra, che pu? essere aperta solo con una chiave denominata "Il codice Segesta"... Seconda avventura del commissario Malarazza, che tra incontri e scontri, rimandi e cambi di rotta, sorprese e variazioni, non conceder? al lettore alcuna forma di pausa.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Avevo continuato per troppi anni a interrogare il cielo, inseguire la luna e, ingenuamente, avevo confidato in essi, ignorando la voce della mia mente in cui le parole pulsavano insistenti in cerca di una loro storia.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Raccolta di vari saggi sulla cultura figurativa dell'Ottocento e Novecento,con introduzione dell'autore＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Il Vangelo narra che il corpo di Ges?, deposto dalla croce, fu composto in un lenzuolo ? in greco ＜em＞sindon＜/em＞ ? che fu poi trovato vuoto nel sepolcro. Che tracce ha lasciato di s? nei secoli questo prezioso telo?＜br /＞ Gli autori di questo volume ripercorrono gli spostamenti del Sacro Lino, oggi conservato a Torino, da quando appare in Francia a met? del XIV secolo, fra guerre e rivendicazioni, occultamenti e venerazioni, fotografie e analisi scientifiche.＜br /＞ Una datazione eseguita nel 1988 colloc? l’origine della stoffa nel Trecento, ma quest’analisi non ? stata esente da critiche; le antiche raffigurazioni di Cristo appaiono ispirate dalla Sindone, suggerendo cos? che il venerato lino sia ben pi? antico. Altre datazioni hanno riportato l’origine della Sindone all’epoca di Cristo.＜br /＞ Dove ? stata conservata prima della sua comparsa in Europa? Gli autori sono risaliti fino al misterioso panno chiamato ＜em＞Mandylion＜/em＞, nascosto a Edessa, una citt? nel sud-est dell’attuale Turchia: molti indizi permettono di dedurre che fosse in realt? la Sindone!＜br /＞ Questo libro vuole essere dunque un viaggio avventuroso attraverso le ricerche storiche e scientifiche condotte sulla Sindone, per capire ci? che ormai ? stato appurato e affacciarsi sulla soglia dei misteri ancora da svelare; un viaggio durante il quale le scoperte sorprendenti che vi attendono non vi deluderanno.＜br /＞ Si ripercorrono i primi secoli alla ricerca di indizi della sua esistenza e si confronta l’analisi dell’impronta lasciata dal cadavere con ci? che ? noto dalle fonti romane sulla crocifissione e dai Vangeli sul momento della deposizione del corpo di Ges? nel sepolcro. Cos? che il viaggio si conclude nel luogo da cui ? partito. Un’inchiesta lucida, documentata e appassionante.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞English author of Victorian "sensation" novels. Braddon was an extremely prolific writer, producing some 75 novels with very inventive plots. The most famous one is Lady Audley's Secret (1862), which won her recognition and fortune as well. The novel has been in print ever since, and has been dramatised and filmed several times.＜br /＞ Braddon also founded Belgravia Magazine (1866), which presented readers with serialized sensation novels, poems, travel narratives, and biographies, as well as essays on fashion, history, science. The magazine was accompanied by lavish illustrations and offered readers a source of literature at an affordable cost. She also edited Temple Bar Magazine.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Unprecedented kinds of experience, and new modes of life, are now produced by simulations, from the CGI of Hollywood blockbusters to animal cloning to increasingly sophisticated military training software, while animation has become an increasingly powerful pop-cultural form. Today, the extraordinary new practices and radical objects of simulation and animation are transforming our neoliberal-biopolitical “culture of life”. The Animatic Apparatus offers a genealogy for the animatic regime and imagines its alternative futures, countering the conservative-neoliberal notion of life’s sacred inviolability with a new concept and ethics of animatic life.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Pu? una raccolta di poesie essere considerato un diario? S?, se in essa ? concentrata una vita, non tanto la vita reale, quella tangibile, fatta di cose concrete e attivit? di vario genere, quanto quella segreta, interiore, la vita dell'anima e della mente. Infatti, quella di Franca Fossaluzza ? una silloge di poesie composta in un arco di tempo molto ampio, che tratteggia esclusivamente stati dell'anima e della mente, ci? che non sta fuori ma dentro e il "s?". In particolare emergono l'amore e la follia, che qua spesso sembrano sovrapporsi..＜br /＞ Amore e follia sono due facce della stessa medaglia. Non ? chiaro, leggendo, quanto lo stato mentale dell'autrice, affetta da una patologia mentale di tipo bipolare, abbia influito sulle sue pulsioni erotico-affettive o quanto, al contrario, queste ultime abbiano influito sulla sua patologia. Sembra che l'amare in modo estremo prevalga sulla ragione, scatenando pulsioni tali da annientare, come in un tornado, ogni pensiero razionale.＜br /＞ L'amore che Franca racconta non ? solo quello riservato agli uomini: esso, a tratti, si estende verso il figlio mai nato, gli amici, il gatto di casa, la natura, il focolare domestico...Ed ? sempre estremo, passionale, cos? fortemente sentito da annullare di volta in volta tutto ci? che esiste intorno, ci? di cui la gente generalmente si occupa, che ha a che fare pi? strettamente col sostentamento o l'affermazione di s? nella societ?, interessi che Franca sembra trascurare quasi totalmente in nome dell'amore. Una sorta di "pratica dell'amore" totalizzante, che sfinisce, turba, annienta e nel contempo esalta l'esistenza, la nobilita, la avvicina al trascendente, all'essenza della vita stessa, la quale ? degna d'essere vissuta se vissuta con l'anima e in nome dell'amore, costi quel che costi.＜br /＞ Anche lo stile asciutto, serrato, della sua poesia sembra avvalorare questi concetti: essendo impossibile spiegare la follia a chi non l'ha mai provata e l'amore estremo a chi lo vive sottotono, essi non possono che essere suggeriti, evocati, tracciati in modo sintetico. Sembrano poesie destinate pi? a chi conosce amore e follia che a chi non li ha mai vissuti.＜br /＞ Corredano la raccolta i dipinti di Pierluigi Dalla Villa, attuale compagno di Franca. L'artista, col quale Franca sembra essere riuscita finalmente a coniugare passione e serenit?, ha realizzato queste opere negli anni precedenti il loro incontro. Eppure, l'essenza dei dipinti, fatta d'inquietudine solo raramente interrotta da pause fatte di tregua col mondo, ? sovrapponibile a quella delle poesie, rendendo il tutto un insieme perfettamente integrato. Due "anime gemelle" che si sono incontrate: nella vita, nella malattia, nell'arte.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Turn of the Screw, originally published in 1898, is a gothic ghost story novella written by Henry James. Due to its original content, the novella became a favourite text of academics who subscribe to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the true brilliance of the novella comes with its ability to create an intimate confusion and suspense for the reader (font: Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞La storia plurimillenaria delle miniere in Sardegna, il primo geo-sito UNESCO nel mondo, la costituzione del Parco, i musei, le gallerie, i pozzi e la meravigliosa via dell'Argento.＜br /＞ Con tante immagini, mappe di orientamento e risorse esterne di approfondimento.＜br /＞ Interattivo, multimediale＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Erckmann-Chatrian est le pseudonyme collectif utilis? de 1847 ? 1887 par deux ?crivains fran?ais : ?mile Erckmann (n? le 21 mai 1822 ? Phalsbourg, en Meurthe (devenue Moselle en 1918), mort le 14 mars 1899 ? Lun?ville) et Alexandre Chatrian (n? le 18 d?cembre 1826 ? Soldatenthal (Grand Soldat), Meurthe (devenue Moselle en 1918), et mort le 3 septembre 1890 ? Villemomble). Ils ont ?galement ?crit sous leurs patronymes respectifs. N?s en Lorraine et amis, ils ont ?crit un grand nombre de romans nationalistes d'inspiration r?gionale exaltant le sentiment patriotique. Dans leur ?uvre, le r?alisme rustique, influenc? par les conteurs de la For?t-Noire, se transfigure en une sorte d'?pop?e populaire. Le Mus?e historique et Erckmann-Chatrian de Phalsbourg leur est en partie consacr? (font: Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Ellen Wood, was an English novelist, better known as "Mrs. Henry Wood". She is perhaps remembered most for her 1861 novel East Lynne, but many of her books became international best-sellers, being widely received in the United States and surpassing Charles Dickens' fame in Australia.＜br /＞ Was born in Worcester in 1814. In 1836 she married Henry Wood, who worked in the banking and shipping trade in Dauphin? in the South of France, where they lived for 20 years. On the failure of Wood's business, the family (including four children) returned to England and settled in Upper Norwood near London, where Ellen Wood turned to writing. This supported the family (Henry Wood died in 1866). She wrote over 30 novels, many of which (especially East Lynne) enjoyed remarkable popularity. Among the best known are Danesbury House, Oswald Cray, Mrs. Halliburton's Troubles, The Channings, Lord Oakburn's Daughters and The Shadow of Ashlydyat. In 1867, Wood purchased the English magazine Argosy, which had been founded by Alexander Strahan in 1865. Her writing tone would be described as "conservative and Christian," occasionally expressing religious rhetoric.[5] She wrote much of the magazine herself, but other contributors included Hesba Stretton, Julia Kavanagh, Christina Rossetti, Sarah Doudney and Rosa Nouchette Carey. Wood continued as its editor until her death in 1887, when her son Charles Wood took over.Wood's works were translated into many languages, including Russian. Leo Tolstoy, in a 9 March 1872 letter to his older brother Sergei, noted that he was "reading Mrs. Wood's wonderful novel In the Maze". Wood wrote several works of supernatural fiction, including "The Ghost" (1862) and the often anthologized "Reality or Delusion?" (1868). At her death (caused by bronchitis)[10] her estate was valued at over 〓36,000, then a very considerable sum. She was buried in Highgate Cemetery, London. A monument to her was unveiled in Worcester Cathedral in 1916 (font: Wikipedia).＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Within popular music there are entire genres (jazz “standards”), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextualityーthe shaping of one text by anotherーin popular music. ＜em＞The Pop Palimpsest＜/em＞ offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, ＜em＞The Pop Palimpsest＜/em＞ considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Sara Jeannette Duncan (22 December 1861 ? 22 July 1922) was a Canadian author and journalist. She also published as Mrs. Everard Cotes among other names. First trained as a teacher in a normal school, she published poetry early in her life and after a brief period of teaching got a job as a travelling writer for Canadian newspapers and wrote a column for The Globe, a Toronto paper. Afterward she wrote for the Washington Post where she also gained editorial experience, being quickly put in charge of the current literature section. She continued to work as a writer and editor for Canadian publications until a journey to India, where she married an Anglo-Indian civil servant. From then on she divided her time between England and India, writing for publications in various countries, and then began to write fiction rather than journalism. She wrote 22 works of fiction, many with international themes and settings, novels which met with mixed acclaim and today are rarely read. She died in Ashtead, Surrey, a year after she moved there with her husband (font: Wikipedia)＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞L'illuminazione artificiale delle chiese antiche e di＜br /＞ quelle moderne e contemporanee costituisce un tema＜br /＞ affascinante e molto impegnativo. Le esigenze liturgiche＜br /＞ da una parte e le nuove tecnologie dall'altra pongono ai＜br /＞ progettisti grandi sfide, che divengono anche preziose＜br /＞ opportunit?, purch? le si sappia cogliere in tutta la loro＜br /＞ ricchezza e valore.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Un homme est convi? au d?ner d'un groupe d'anciens naufrag?s qui ont de curieuses habitudes alimentaires... Une jeune femme d?couvre avec effroi la profession de son mari... Une auberge sinistre o? ont lieu d'horribles crimes... Des parents ruin?s simulent leur cambriolage et leur assassinat pour assurer un avenir meilleur ? leur fils... Une jeune femme aux nombreux pr?tendants - 12 - est tenue pour responsable de la mort de plusieurs d'entre eux... Un mari tromp?, un collier de velours qui emp?che une t?te coup?e de tomber... (Voir ?galement sur le m?me th?me et avec le m?me titre, la nouvelle de Dumas publi?e sur ce site.) Vous ne vous ennuierez pas avec ces terrifiantes histoires...＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Um homem enlouquecido em seu apartamento, acorda todas as manh?s decidido a cometer suic?dio. As plantas que vivem na sacada do apartamento barganham diariamente pela perman?ncia do homem neste mundo. A vida dele representa a sobreviv?ncia delas.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞La sua e identico ne ? il sacerdote principale, una e identica la vittima, Ges? Cristo, soltanto il modo di fare l'offerta ? differente, cruento sulla croce, incruento sull'altare (Pio XII, Enciclica Mediator Dei, II 1: EE 6,493-494). Esso si rinnova perch? la Chiesa si unisca al sacrificio del suo Capo e s'inserisca in esso, partecipandovi, al fine di trarne i frutti salvifici. A tal fine ? necessaria una partecipazione spirituale dei fedeli (cfr. ivi, 506-528), non ? necessaria, invece, la santa comunione che ? una parte integrante del sacrificio ed ? obbligatoria soltanto per il sacerdote celebrante. Non ? necessaria la presenza dei fedeli alla celebrazione, perch? la santa messa ? sempre un atto pubblico, a favore di tutta la Chiesa.Ma ne risulta l'assoluta necessit? della santa messa per la salvezza eterna, in quanto in essa si rinnova e rende presente il sacrificio redentore di Ges? Cristo. La sua obbligatoriet? scaturisce dalla virt? della religione (giustizia verso Dio) e dal suo valore salvifico del tutto fondamentale.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text.＜/p＞ ＜p＞Exploring the complex relationship between medieval dance and medieval poetry, ＜em＞Strange Footing＜/em＞ argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body’s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time.＜/p＞ ＜p＞＜em＞Strange Footing＜/em＞ deploys the motion of dance to change how we read medieval poetry, generating a new theory of poetic form for medieval studies and beyond.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞UNDER this general title is now being published a series of small volumes, drawn from or based upon, the mystic, theosophic and gnostic writings of the ancients, so as to make more easily available for the ever-widening circle of those who love such things, some echoes of the mystic experiences and initiatory lore of their spiritual ancestry. There are many who love the life of the spirit, and who long for the light of gnostic illumination, but who are not sufficiently equipped to study the writings of the ancients at first hand, or to follow unaided the labours of scholars. These little volumes are therefore intended to serve as introduction to the study of the more difficult literature of the subject; and it is hoped that at the same time they may become for some, who have, as yet, not even heard of the Gnosis, stepping-stones to higher things.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures.＜br /＞ Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories.＜br /＞ A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures.＜br /＞ Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories.＜br /＞ A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。