＜p＞This script is based on the true-life story of Nancy Kerley, a fifty-five year old, frail＜br /＞ woman who was ordered by her son-in-law to take her two-and-a-half year old granddaughter and go to the County Home in Haywood County, North Carolina to＜br /＞ live, since he could no longer support them.＜br /＞ She came back to his cabin without the baby and professed to have given her away.＜br /＞ Several weeks later, the girl was found in a cave, believed to have been placed there alive＜br /＞ and starved to death.＜br /＞ Nancy signed a plea bargain but never admitted she did this. She spent fifteen years of a thirty year sentence at Raleigh State Prison for hard labor. She was released at age seventy in 1929 and went on to live to age ninety-four.＜br /＞ There are still many relatives in the area and the case continues to bring much＜br /＞ controversy among local citizens.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Peter Bell the Third＜br /＞ Percy Bysshe Shelley, one of the major English Romantic poets (1792-1822)＜/p＞ ＜p＞This ebook presents ≪Peter Bell the Third≫, from Percy Bysshe Shelley. A dynamic table of contents enables to jump directly to the chapter selected.＜/p＞ ＜p＞TABLE OF CONTENTS＜br /＞ -01- ABOUT THIS BOOK＜br /＞ -02- MOTTO＜br /＞ -03- DEDICATION＜br /＞ -04- PROLOGUE＜br /＞ -05- PART I. PETER BELL THE THIRD＜br /＞ -06- PART II. PETER BELL THE THIRD＜br /＞ -07- PART III. PETER BELL THE THIRD＜br /＞ -08- PART IV. PETER BELL THE THIRD＜br /＞ -09- PART V. PETER BELL THE THIRD＜br /＞ -10- PART VI. PETER BELL THE THIRD＜br /＞ -11- PART VII. PETER BELL THE THIRD＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Twenty tunes in styles from Irish to American, in a variety of tunings, melody and accompaniment, presented in standard notation and tablature, with a stereo audio download (left channel melody, right channel accompaniment). Left and right hand techniques and chord voicings are thoroughly discussed. For the first time, the Celtic style "woven texture" accompaniment unique to the instrument is fully notated. Unique to the book are melodic Irish ornamentation, blues, jazz, American fiddle tunes with variations and improvisations (all fully notated), and a chapter "Breaking Away From Block Chords" extending knowledge of the fingerboard. Audio download available online.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Una fenice che risorge dalle proprie ceneri, ecco come si presenta al lettore la protagonista di questo romanzo. Una donna, come tante, che imparer? a proprie spese come spesso a circondarla siano soltanto maschere e non volti. Una leonessa, pronta a non arrendersi di fronte alle difficolt?, ma anzi, determinata a sciogliere i nodi del destino pur di vivere il proprio amore e la propria serenit? in famiglia.＜br /＞ Nonostante le avversit?, nonostante la necessit? e la caparbiet? nel voler costruire una fortificazione attorno a s? che la protegga da qualsiasi intrusione, Dahila sceglier? di crederci ancora, di dare una chance a quella sorte che finora l’ha vessata. E imparer? che non tutto ? ci? che sembra, che per amare bisogna prima amarsi, che non si ? mai consapevoli di quanta forza sia insita in se stessi fin quando avere la forza non sar? l’unica soluzione possibile e chiss?… forse dar? all’amore una seconda possibilit?.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance.＜br /＞ Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, ＜em＞Theatre as Sign System＜/em＞ addresses key drama texts and offers new and detailed information about the theories of performance.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In The Grail Guitar: The Search for Jimi Hendrix’s Purple Haze Telecaster, Chris Adams takes readers on a fascinating mystery tour to determine whether a Fender Telecaster bought secondhand in a London music store in 1973 was the one used by Jimi Hendrix to record “Purple Haze” in January 1967. The only clues are its left-handed tuners and the salesman’s chance remark that the guitar was brought into the shop by a Hendrix roadie. But these are enough to set the author off on this intriguing journey into Hendrix history.＜/p＞ ＜p＞With firsthand details from model Linda Keith, who discovered Hendrix in New York, Adams recounts how the rising star left for London with a white Stratocaster belonging to Keith Richards. The man who made Hendrix’s pedals explains how this Strat failed to make the “Purple Haze” recording session and how it was replaced by a borrowed Telecaster. As Adams tracks down the surviving musicians, they shed light on the fate of that Telecaster and gradually the two guitars begin to merge into one. Throughout, Adams weaves his own story as a rock musician and tells how, against the odds, he managed to hold on to this remarkable instrument.＜/p＞ ＜p＞Here is a riveting story of one man seeking the truth about a cultural artifact that changed rock history, a story for rock fans and guitar aficionados, treasure hunters and antique dealers, as well as anyone who likes a detective story.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞By the late-sixteenth century, Augsburg was one of the largest cities of the Holy Roman Empire, boasting an active musical life involving the contributions of musicians like Jacobus de Kerle, Hans Leo Hassler, and Gregor Aichinger. This musical culture, however, unfolded against a backdrop of looming religious schism. From the mid-sixteenth century onward, Augsburg was the largest 'biconfessional' city in the Empire, housing a Protestant majority and a Catholic minority, ruled by a city government divided between the two faiths. The period 1580-1630 saw a gradual widening of the divide between these groups. The arrival of the Jesuits in the 1580s polarized the religious atmosphere and fueled the assertion of a Catholic identity, expressed in public devotional services, spectacular processions, and pilgrimages to local shrines. The Catholic music produced for these occasions both reflected and contributed to the religious divide. This book explores the relationship between music and religious identity in Augsburg during this period. How did 'Catholic' and 'Protestant' repertories diverge from one another? What was the impetus for this differentiation, and what effect did the circulation and performance of this music have on Augsburg's religious culture? These questions call for a new, cross-disciplinary approach to the music history of this era, one which moves beyond traditional accounts of the lives and works of composers, or histories of polyphonic genres. Using a wide variety of archival and musical documents, Alexander Fisher offers a holistic view of this musical landscape, examining aspects of composition, circulation, performance, and cultural meaning.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Winner of the 2016 Marfield Prize＜/strong＞＜/p＞ ＜p＞In 1902, Rainer Maria Rilkeーthen a struggling poet in Germanyーwent to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s ＜em＞You Must Change Your Life＜/em＞ is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic ＜em＞Letters to a Young Poet.＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Mit der "G?tterd?mmerung", dem Dritten Tag, schlie?t Wagner seinen "Ring des Nibelungen", mit einem Vorabend und drei Tagen, alles abendf?llende, sich ?ber Stunden hinziehende Auff?hrungen. Was in den vorhergehenden Teilen geschehen ist, wird hier zu Ende gef?hrt. Gemeinsam verbrennen Br?nhilde und Siegfried "im reinigenden Feuer"; sie werden in einer h?chsten Vereinigung erl?st. Eine ganze Epoche treibt unweigerlich ihrem Ende entgegen: Die Menschenwelt und die G?tterwelt sind rettungslos korrumpiert, nur ein Neubeginn nach einem vollst?ndigen Zusammenbruch kann eine wahrhaft neue Welt herbeif?hren. Dieses Buch enth?lt neben dem Textbuch einf?hrende Kommentare von Kurt Pahlen. Er begleitet das musikalische und das ?u?ere wie innere dramatische Geschehen der Oper mit Hinweisen zu kompositorischer Struktur und Sinnzusammenhang. Eine kurze Inhaltsangabe und ein Abriss der Entstehungsgeschichte stellen das Werk in einen Zusammenhang mit dem Gesamtschaffen des Komponisten und seiner Biographie und bieten eine umfassende, reich illustrierte Einf?hrung.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞her・e・tic＜br /＞ /?her??tik/＜br /＞ noun＜/p＞ ＜p＞a human believing in or practicing religious heresy.＜br /＞ a person holding an opinion at odds with what is generally accepted.＜/p＞ ＜p＞synonyms: dissenter, nonconformist, freethinker, iconoclast＜br /＞ antonyms: conformist＜/p＞ ＜p＞Unlearn Moderation is a challenge for readers to be heretical and truly connect, to the words and to the world around them. Following 39 revolutions: a utilitarian poetry creation, Krista Hammerbacher Haapala's second poetry collection inspires introspection and catalyzes mindful action. As a counterpoint to the fly-by culture, the poet encourages the radical action of slowing down. This mindfood reminds readers to savor, indulge, and luxuriate in the excesses of love and life.＜/p＞ ＜p＞Reminding readers "every choice shapes the world," Krista's distinctive poetic style incites personal interpretation. Every thinker is invited to find their own unique application of her words. While the collection speaks its message of authenticity and connection, each work provokes the reader to find their own power in living awake.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Eye Am Eye Books＜/strong＞ presents an astounding collection of asemic works with an Introduction by David Nadeau and Publisher's Foreword by Paul A. Toth. Featuring the works of Francesco Aprile, Ian S. Cross, Christopher Skinner, Cecil B. Lee, Ed Baker, Tatiana Roumelioti, Amanda Earl, Ali Znaidi, Gheorghe Marian Negutu, Gregg Simpson, Nico Vassilakis, Laura Dimitrova, Anneke Baeten, billy bob beamer, Carlyle Baker, Cristiano Caggiula, Larry Dellinger, Michael Jacobson, Volodymyr Bilyk, Jesse Glass, Marco Giovenale, manuel arturo abreu, David Nadeau, Moan Lisa, Reijo Valta, Edward Kulemin, Pamela Caughey, Jay Snodgrass, Jim Leftwich, Andrew Topel, and Lucy Schultz.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Jewish art has always been with us, but so has a broader canvas of Jewish imaginings: in thought, in emotion, in text, and in ritual practice. Imagining the Jewish God was there in the beginning, as it were, engraved and embedded in the ways Jews lived and responded to their God.This book attempts to give voice to these diverse imaginings of the Jewish God, and offers these collected essays and poems as a living text meant to provoke a substantive and nourishing dialogue. A responsive, living covenant lies at the heart of this bookーa covenantal reciprocity that actively engages the dynamics of Jewish thinking and acting in dialogue with God. The contributors to this volume are committed to this form of textual reasoning, even as they all move us beyond the “text” as foundational for the imagined “people of the book.” That people, we submit, lives and breathes in and beyond the texts of poetry, narrative, sacred literature, film, and graphic mediums. We imagine the Jewish people, and the covenant they respond to, as provocative intimations of the divine. The essays in this volume seek to draw these vocal intimations out so that we can all hear their resonant call.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This highly readable and timely book explores the transformation of the modern and contemporary art market in the 21st century from a niche trade to a globalised operation worth an estimated $50 billion a year. Drawing on her personal experience, the author describes in fascinating detail the contributions made by a range of actors and institutions to these recent developments. The book focuses on the development of auction houses into globalised, often cutthroat 'art business' firms; the emergence and modi operandi of 'mega-dealers' and middlemen; the 'new frontier' of selling art on the internet; the radical changes in the profile of art collectors; the phenomenon of the 'branded' artist and the explosion of art fairs. It addresses the negative side to the art market's expansion, particularly its lack of transparency and light regulation. The author's engaging style makes this informative text ideal for collectors, students, and anyone interested in learning more about the evolution of the unprecedented market for art which exists today.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞In Senghor’s Shadow＜/em＞ is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of L?opold S?dar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegisーknown as the Ecole de DakarーHarney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.＜/p＞ ＜p＞Heavily illustrated with nearly one hundred images, including some in color, ＜em＞In Senghor’s Shadow＜/em＞ surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groupsーfrom those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dim?, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Thesis (M.A.) from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 1,6, LMU Munich (Amerika Institut), 229 entries in the bibliography, language: English, abstract: Two central concepts are relevant to define for the topic of this thesis. Firstly, the connection of food and culture needs to be clarified. How significant is food in the realm of culture? What cultural characteristics can be examined through the study of food? Secondly, the notion of cultural influence needs to be resolved. What determines cultural influence? What effects does the process of cultural influence have? Food is a day-to-day activity that involves every human being. Daily nutrition intake is essential to keep the vital body functions intact and is therefore a biological necessity. But food is more than that. Unlike animals, human beings transcended the stage in which instincts of survival determine the action of satisfying hunger. Food is bought, prepared, and consumed in every society around the globe. Food is not only basic principle of every economy, the activities around food have created a tremendous spectrum of different ways and meanings amongst all the peoples of the world. This makes food a particularly interesting topic for cultural anthropologists, as Carole Counihan and Penny Van Esterik conclude, 'food is life, and life can be studied and understood through food.'1Indeed, food as subject is of such interest that Alan Davidson recently published the extensive reference work 'Oxford Companion to Food.'＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜P＞ Since the 1960s, William Faulkner, Mississippi's most famous author, has been recognized as a central figure of international modernism. But might Faulkner's fiction be understood in relation to Thomas Pynchon's ＜I＞Gravity's Rainbow＜/I＞ as well as James Joyce's ＜I＞Ulysses＜/I＞? ＜P＞ In eleven essays from the 1999 Faulkner and Yoknapatawpha Conference, held at the University of Mississippi, ＜I＞Faulkner and Postmodernism＜/I＞ examines William Faulkner and his fiction in light of postmodern literature, culture, and theory. The volume explores the variety of ways Faulkner's art can be used to measure similarities and differences between modernism and postmodernism. ＜P＞ Essays in the collection fall into three categories: those that use Faulkner's novels as a way to mark a period distinction between modernism and postmodernism, those that see postmodern tendencies in Faulkner's fiction, and those that read Faulkner through the lens of postmodern theory's contemporary legacy, the field of cultural studies. ＜P＞ In order to make their particular arguments, essays in the collection compare Faulkner to more contemporary novelists such as Ralph Ellison, Vladimir Nabokov, Thomas Pynchon, Walker Percy, Richard Ford, Toni Morrison, and Kathy Acker. But not all of the comparisons are to high culture artists, since even Elvis Presley becomes Faulkner's foil in one of the essays. ＜P＞ A variety of theoretical perspectives frame the work in this volume, from Fredric Jameson's pessimistic sense of postmodernism's possibilities to Linda Hutcheon's conviction that cultural critique can continue in postmodernism through innovative new forms such as metafiction. Despite the different theoretical premises and distinct conclusions of the individual authors of these essays, ＜I＞Faulkner and Postmodernism＜/I＞ proves once again that in the key debates surrounding twentieth-century fiction, Faulkner is a crucial figure. ＜P＞ John N. Duvall, an associate professor of English at Purdue University, is the editor of ＜I＞Modern Fiction Studies＜/I＞. ＜P＞ Ann J. Abadie is associate director of the Center for the Study of Southern Culture at the University of Mississippi.画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞El recorrido por las Historias de trapos se realiza caminando de 2 maneras: Manera 1.- un paso tras otro con las manos metidas en los bolsillos, jugando con las pelusas del pantal?n. Manera 2.- halando una bolsa de trapos que pesa liviano pero que cuando se arrastra en el camino se vuelve una extensi?n del cuerpo para conectarse a trav?s de trapos con el suelo recorrido (conexi?n que ya no logran las suelas de los zapatos). En la manera 2 la bolsa es almohada o coj?n en el descanso, los trapos pueden ser cortados, cosidos, deshilados, olidos, rotos; pero hablan de lo que una bolsa es cuando est? llena, incompleta o vac?a. Cada trapo que la constituye es una posibilidad de incertidumbre. Los trapos suelen contar esos recorridos en detalle, para esto el trapo debe estar dotado de esencia. No se trata de trapos a secas, sino de trapos almados dentro de una bolsa para halar. Hablar con trapos es como jugar a las mu?ecas. Vanessa Padilla A.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Hubo un tiempo en que existi? una instituci?n llamada 'Universidad'"... Con estas palabras inicia el escrito del padre Gerardo Remolina (2012), cuyo t?tulo se presenta en forma de interrogante, a saber: "?R?quiem por la Universidad?". Esta denominaci?n de su trabajo nos deja en vilo. Y provoca una serie de preguntas entre las cuales podr?amos nombrar las siguientes: ?ser? que la Universidad, como el padre Remolina lo presenta, est? muerta? O, m?s bien, ?ser? que en esta (la Universidad) viven, o sobreviven acad?micos que son como "muertos vivientes" que utilizan los conceptos pero estos no dicen nada a la vida cotidiana, o mejor al mundo de la vida? ?Se vive o se sobrevive en esta (la Universidad) con categor?as "zombis" que se utilizan para nombrar lo humano y defender te?ricamente este t?rmino, pero en las l?gicas de la Universidad-empresa se conducen a sus miembros (directivas, docentes, estudiantes, empleados) a ser simplemente productores de la matrix del capitalismo?＜/p＞ ＜p＞Volviendo al texto del padre Remolina (2012), en su inicio nos dice que sus palabras son retomadas de la carta de renuncia a su c?tedra universitaria del doctor Marius Reiser, profesor titular de la Universidad de Mainz, Alemania. En esta, despu?s de describir el esp?ritu de libertad, apertura y gratuidad en la b?squeda de la verdad, que caracteriz? a la Universidad alemana durante doscientos a?os, prosigue diciendo: "De pronto vino una tempestad y granizaron disposiciones para una reestructuraci?n de todas las carreras. La tormenta recibi? el nombre de 'Bolonia' y llev? r?pidamente la vida bella a su final" (Remolina, 2013, p. 14). ?Ser? que la vida bella de nuestras universidades en Colombia tambi?n ya se fue?＜/p＞ ＜p＞Estos y otros interrogantes son objeto actual de las reflexiones de la relaci?n Universidad-sociedad, es as? como pensar la idea de Universidad es pensar una instituci?n que naci? reflexionando sobre la sociedad en todas sus din?micas.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Raised in Tzarist pre-revolutionary Russia Boris Anrep became an important British artist in the first half of the twentieth century, yet until now has never had a full overview of his considerable artistic output. A member of the Bloomsbury and Garsington sets of Edwardian England, he counted the writer Virginia Woolf, the economist John Maynard Keynes, and the painter Augustus John among his many friends. Discover Anrep’s fascinating story and learn about the many mosaics he created, some of them in the most important institutions in Britain.＜br /＞ He trained for fine arts but chose instead to create superb mosaics; thousands walk over his art every week in Tate Britain and the National Gallery. There are immense mosaics by him in Westminster Cathedral and the Bank of England, and his work is considered of sufficient importance to be in the collections of the V&A in London and the MAG in Birmingham. This book is the first complete appraisal of Boris Anrep’s oeuvre, and attempts to shine a light on his considerable output as a mosaic artist. It also looks at his great work in bringing modernity and a contemporary sensibility to mosaics in Britain. He is also important for shifting the position of the artist away from simply designing the mosaics to being right at the heart of their entire creation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Studienarbeit aus dem Jahr 2009 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Note: 14 (1,0), Philipps-Universit?t Marburg, Veranstaltung: Reportagen im deutschen Fernsehen: Geschichte und aktuelle Tendenzen, Sprache: Deutsch, Abstract: In der folgenden Arbeit wird die Reportage 'Die ausgezeichneten Deutschen' (1973) von Roman Brodmann analysiert. Die Makrostruktur der Reportage soll betrachtet werden und anschlie?end werden zwei exemplarische Szenen bearbeitet. In einem ersten Schritt wird die Makrostruktur der Reportage analysiert. Es wird insbesondere die Grobstruktur, wie die Reportage aufgebaut ist, das Rollenverst?ndnis des Reporters, wie er den Rezipienten anspricht und ob dieser sich noch eine neutrale Meinung bilden kann, sowie das Verh?ltnis von Bild und Ton betrachtet werden. Abschlie?end werden zwei Szenen aus der Reportage genauer analysiert und ihre Wichtigkeit f?r das Gesamtwerk wird ermittelt. Ich habe mich f?r diese Reportage entschieden, da ich finde, dass Roman Brodmann einer der wichtigsten Vertreter der Stuttgarter Schule ist und seine Reportagen sehr bedeutende Werke darstellen. Mich hat besonders seine kritische Art an die Themen heranzugehen und die meist ironische Sprache, welche verwendet wird, um Missst?nde in der Gesellschaft aufzudecken, begeistert. 'Die ausgezeichneten Deutschen' im speziellen hab ich gew?hlt, da ich mich selbst vorher noch nie mit der Frage der Ordensverleihung besch?ftigt hatte und mir die Reportage einen Ansto? gegeben hat, dies genauer zu betrachten und mir dar?ber eine Meinung zu bilden. In der Analyse soll ermittelt werden, mit welchen stilistischen und inhaltlichen Mitteln Roman Brodmann arbeitet und welche Wirkung diese auf den Rezipienten haben.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞(Guitar Collection). A top-notch resource for every guitarist, this 111-song collection assembles songs in all musical genres and guitar styles. Contains everything from pop/rock hits to jazz standards, Motown masterpieces to movie classics, traditional tunes, country favorites, Broadway blockbusters and beyond! Features note-for-note transcriptions (Evil Ways * Give It Away * Photograph), riffs (All Right Now * Deuce * Iron Man * Start Me Up), and arrangements for easy guitar (Change the World * Crazy * Jump * Roxanne), chord melody (The Christmas Song * Stella by Starlight * Yesterdays), fingerstyle (Come Sail Away * Linus & Lucy * My Funny Valentine), classical (Lagrima * Minuet * Pavane), and more!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This early work by Eva March Tappan was originally published in 1910 and we are now republishing it with a brand new introductory biography. 'The Story of the Roman People: An Elementary History of Rome' is an educational work that discusses the history of Rome as a Kingdom, a republic, and an empire. Eva March Tappan was born on 26th December 1854, in Blackstone, Massachusetts, United States. Tappan began her literary career writing about famous characters from history in works such as 'In the Days of William the Conqueror' (1901), and 'In the Days of Queen Elizabeth' (1902). She then developed an interest in children's books, writing her own and publishing collections of classic tales.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞De Maurice Ravel ? David Guetta : quel est le secret des tubes?＜/strong＞＜/p＞ ＜p＞＜strong＞Un livre ? lire en musique, gr?ce ? plus de 200 liens vers iTunes !＜/strong＞＜/p＞ ＜p＞On peut les moquer, les snober, les d?tester, mais on ne peut pas y ?chapper : du Bol?ro de Ravel aux hits de David Guetta, les tubes sont aujourd'hui omnipr?sents. Jamais la musique n'a ?t? aussi envahissante, aussi mondialis?e, et aussi snob?e. Les critiques discutent des musiques qui leur plaisent, et se d?sint?ressent de celles qui font danser et r?ver le plus grand nombre. Obs?d? par " I Gotta Feeling " de David Guetta, Emmanuel Poncet, r?dacteur en chef adjoint de GQ, a d?cid? de mettre de c?t? son bon go?t pour regarder, ou plut?t ?couter, les tubes en face. Le tube est-il une musique diff?rente des autres ? Pourquoi ces airs sont-ils si obs?dants ? Y a-t-il une formule secr?te du tube ? Le tube est-il forc?ment une musique " cheap " ? Faut-il condamner la " musique d'ascenseur " ? En une dizaine de chapitres qui＜br /＞ d?voilent autant de facettes des " ritournelles marchandes " d'hier et d'aujourd'hui, ce livre nous fait entrer dans le myst?re des tubes.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Es geschah, als Compay Miguel sah, wie die Kinder seines besten Freundes gefangen wurden, und auch die anderen, die in seiner Gegend aufgewachsen waren: In einer Attacke v?terlicher Verantwortung zog er die Machete hervor und wollte den Kommandanten von hinten niedermachen. Doch da nahm ihm eine meuchlerische Feuersalve das Leben.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Since colonial times, the sense of encountering an unseen, transcendental Presence within the natural world has been a characteristic motif in American literature and culture. American writers have repeatedly perceived in nature something beyond itself-and beyond themselves. In this book, John Gatta argues that the religious import of American environmental literature has yet to be fully recognized or understood. Whatever their theology, American writers have perennially construed the nonhuman world to be a source, in Rachel Carson's words, of "something that takes us out of ourselves." ＜em＞Making Nature Sacred＜/em＞ explores how the quest for "natural revelation" has been pursued through successive phases of American literary and intellectual history. And it shows how the imaginative challenge of "reading" landscapes has been influenced by biblical hermeneutics. Though focused on adaptations of Judeo-Christian religious traditions, it also samples Native American, African American, and Buddhist forms of ecospirituality. It begins with Colonial New England writers such Anne Bradstreet and Jonathan Edwards, re-examines pivotal figures such as Henry Thoreau and John Muir, and takes account of writings by Mary Austin, Rachel Carson, and many others along the way. The book concludes with an assessment of the "spiritual renaissance" underway in current environmental writing, as represented by five noteworthy poets and by authors such as Wendell Berry, Annie Dillard, Marilynne Robinson, Peter Matthiessen, and Barry Lopez. This engaging study should appeal not only to students of literature, but also to those interested in ethics and environmental studies, religious studies, and American cultural history.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In the Summer of 1969 all Steve wanted was to earn a little money and return to complete his senior year of high school. By Summer's end he had determined to commit suicide rather than live with the consequences of his actions. What type of sin would drive a good Christian kid to choose hell over living with himself the rest of his life? Shameful Innocence is a coming-of-age novel that rapidly paces itself with memorable characters. The story generates unwitting victims, harassing villains and a couple of passionate heroes. This emotional fiction, inspired by true events, is definitely not for the prudish. The poignant, somewhat disturbing thoughts that come from the mind of this average teenager may be daunting to some. Its sweeping expanse and simple message delivers a dynamic impact on those who participated in the turbulent sixties or wish they had. It's an exceptional, tantalizing read.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The first monograph to critically engage with the controversial horror film subgenre known as 'torture porn', this book dissects press responses to popular horror and analyses key torture porn films, mapping out the broader conceptual and contextual concerns that shape the meanings of both 'torture' and 'porn'.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Raphael's ＜em＞St George and the Dragon＜/em＞ is the work of a genius - an exquisitely rendered vision of heroism and innocence by one of the greatest painters of all time. Yet the painting's creation is only the beginning of a fascinating story that spans centuries of power play and intrigue, taking in a cast of characters both colourful and terrifying.＜/p＞ ＜p＞For the young Raphael the painting was an expression of his growing talents and a crucial step in his ascent to the peak of the Renaissance art world. But for a succession of jealous owners it became a symbol of power and prestige. Painted in Italy, ＜em＞St George and the Dragon＜/em＞ was sent to England as a gift for Henry VII in exchange for the prestigious knighthood of the Garter, art being traded for honour. The painting then mysteriously disappeared for a century before re-emerging as one of the key works in the great collection of art built up by Charles I, only to be sold when the collection was forcibly broken up after his execution.＜/p＞ ＜p＞When Catherine the Great, a monarch of enormous appetites - political, sexual and cultural - later heard the painting was again on the market, she dispatched the famous philosopher Diderot to add it to her vast collection at the Hermitage in Russia. Treated both as an icon and as a Western masterpiece, ＜em＞St George and the Dragon＜/em＞ survived fire and the Russian Revolution, only to be sold by the arch-Communist Stalin to Andrew Mellon, Capitalism's chief priest and one of the last US Robber Barons, in a secret and utterly illicit transaction.＜/p＞ ＜p＞Exceptionally written and breathlessly paced, ＜em＞The Raphael Trail＜/em＞ shows how the greatest beauty in art can provoke the basest instincts in man.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Studienarbeit aus dem Jahr 2000 im Fachbereich Amerikanistik - Literatur, Note: 1,7, Humboldt-Universit?t zu Berlin (Institut f?r Anglistik und Amerikanistik), Veranstaltung: Einf?hrung in die amerikanische Literaturwissenschaft II, 11 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die Verschwiegenheit der Protagonistin Hester Prynne steht im Mittelpunkt von Nathaniel Hawthornes moralischer Parabel 'The Scarlet Letter' und wird von den Literaturwissenschaftlern Shari Benstock, Sacvan Bercovitch und Michael Ragussis jeweils aus dekonstruktionistischer, feministischer und der Perspektive des 'New Historicism' analysiert. Benstock, Bercovitch und Ragussis l?sen den scharlachroten Buchstaben als Symbol absoluter geschlechtlicher Differenz, als Tr?ger nur einer einzigen historischen Lesart und als Zeichen nur einer bestimmten Zuordnung von Bezeichnetem und Bezeichnendem auf. Hester untergr?bt die Werteordung der puritanischen Gesellschaft indem sie mit der Verzierung des Buchstaben einen Eingriff in den repr?sentativen Codex der Gemeinschaft vornimmt. Der Buchstabe A repr?sentiert nicht mehr den Begriff 'Ehebruch' und erf?llt seine Straffunktion, sondern dient als Symbol weiblicher Sexualit?t. Sie weigert sich, sich in die puritanische Gesellschaft ein- und unterzuordnen und negiert die Herrschaft Gottes und des Mannes gleicherma?en. Ihr anhaltendes Schweigen ?ber die wahre Identit?t des Vaters von Pearl, ihrer unehelichen Tochter, hilft Hester den sexuellen, religi?sen, rechtlichen und wirtschaftlichen Zw?ngen der Zeit zu entrinnen.＜/p＞ ＜p＞www.linkedin.com/in/bertbobock＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞What if museum critics were challenged to envision their own exhibitions? In Curatorial Dreams, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design. While the deconstructive critique of museums remains relevant, Curatorial Dreams charts new ground, proposing unique modes of engagement that enrich public scholarship and dialogue.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞What if museum critics were challenged to envision their own exhibitions? In Curatorial Dreams, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design. While the deconstructive critique of museums remains relevant, Curatorial Dreams charts new ground, proposing unique modes of engagement that enrich public scholarship and dialogue.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。